24 Frames is an experimental project made by filmmaker Abbas Kiarostami in the last three years of his life. It is a collection of 24 short four-and-a-half minute films inspired by still images, including paintings and photographs.
The 15 minutes film features a "football" in the main lead. The philosophical and thematic meanings can be derived by the viewer with their own instinct.
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Director:
Abbas Kiarostami
Stars:
Behzad Dorani,
Noghre Asadi,
Roushan Karam Elmi
Five sequences : 1) A piece of driftwood on the seashore, carried about by the waves 2) People walking on the seashore. The oldest ones stop by, look at the sea, then go away 3) Blurry ... See full summary »
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth ... See full summary »
Documentary where Iranian filmmaker Abbas Kiarostami reflects on his own film-making techniques, drawing from his own films - and 2001's Ten in particular.
A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket... See full summary »
Based on the novel by Antonio Di Benedetto written in 1956, on Don Diego de Zama, a Spanish officer of the seventeenth century settled in Asunción, who awaits his transfer to Buenos Aires.
Director:
Lucrecia Martel
Stars:
Daniel Giménez Cacho,
Lola Dueñas,
Matheus Nachtergaele
In this documentary, Kiarostami asks a number of students about their school homework. The answers of some children shows the darker side of this method of education.
Director:
Abbas Kiarostami
Stars:
Babak Ahmadpoor,
Farhang Akhavan,
Mohammad Reza Nematzadeh
A grade-school-age boy, neglected by his parents, lies, cheats, and steals to accumulate enough money to afford a bus ride to a large city and a ticket to see his favorite soccer team play.
What happens in the moments before and after a photograph is taken? 24 Frames answers this question and unites the two artistic languages Kiarostami dedicated his life to. Melancholic and joyous, serious and mischievous, it's a refined meditation on the passage of time and on the fragility of existence - themes central to the cinema of this revered Iranian director.Written by
Anonymous
Sections from the film were screened at Marrakech International Film Festival 2015, and Venice International Film Festival 2016, prior to the premiere of the full-length film at Cannes Film Festival 2017. See more »
I had the misfortune of buying tickets to see this at the London Film Festival and actually getting there on time. I was one of the few people who persevered and watched the whole thing. Most left after the first scenes. The lucky ones.
It's a collection of scenes with most being a fixed camera pointed at some room or landscape, nothing happens, no dialogue or voiceover or humans. It should have been a 10 minute short, but someone decided to exploit a great directors name and create this 2 hour abomination that the credited director would have never allowed to be published had he been alive. If you're curious make sure to download it so you can fast forward through most of it, nothing happens anyway, no surprises. Once you see the first frame of a scene, the rest is just it for 5 minutes.
That the film was part of the LFF program is just incredible. The whole concept was so poorly executed it's simply astonishing it would be shown anywhere. I doubt they watched it at all.
If a movie doesn't have dialogue, then the scenes have to be powerful, emotive or at least beautiful to the point of moving you at least a little. Art is supposed to make you feel or think. This just makes you wish you had left earlier. There is nothing there. Probably the worst movie ever made. Kiarostami is rolling in his grave.
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I had the misfortune of buying tickets to see this at the London Film Festival and actually getting there on time. I was one of the few people who persevered and watched the whole thing. Most left after the first scenes. The lucky ones. It's a collection of scenes with most being a fixed camera pointed at some room or landscape, nothing happens, no dialogue or voiceover or humans. It should have been a 10 minute short, but someone decided to exploit a great directors name and create this 2 hour abomination that the credited director would have never allowed to be published had he been alive. If you're curious make sure to download it so you can fast forward through most of it, nothing happens anyway, no surprises. Once you see the first frame of a scene, the rest is just it for 5 minutes. That the film was part of the LFF program is just incredible. The whole concept was so poorly executed it's simply astonishing it would be shown anywhere. I doubt they watched it at all.
If a movie doesn't have dialogue, then the scenes have to be powerful, emotive or at least beautiful to the point of moving you at least a little. Art is supposed to make you feel or think. This just makes you wish you had left earlier. There is nothing there. Probably the worst movie ever made. Kiarostami is rolling in his grave.