The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park ...Written by
The trash can in the Park's house costs $2,300 in real life. Bong Joon Ho chose it because it doesn't make any noise and opens very smoothly. Still, he was baffled by the cost, saying: "What the fuck? What kind of idiot would buy a trash can that's going to smell anyway?" See more »
(at around 1h 23 mins) When the maid's mouth is bound with a cloth preventing her from yelling, when we cut back, the cloth has vanished. There would be no way she could take it off since her hands were also bound. See more »
Dad, today I made a plan - a fundamental plan. I'm going to earn money, a lot of it. University, a career, marriage, those are all fine, but first I'll earn money. When I have money, I'll buy the house. On the day we move in, Mom and I will be in the yard. Because the sunshine is so nice there. All you'll need to do is walk up the stairs. Take care until then. So long.
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Also available in a black-and-white version. Instead of opting for a simple digital bleaching, Bong Joon Ho worked with a colorist and cinematographer to make sure each scene retained its texture. See more »
As a film about a family imposing on another, and keeping dark secrets hidden beneath the surface, Parasite achieves what Jordan Peele set out to do with Us: tell a multi-layered story in a widely entertaining manner, but without sacrificing the believability of its central narrative.
That's not to say that Us is an ineffective film by any means, but when it comes to crafting weighty social commentaries under the guise of lighter fare, writer-director Bong Joon-ho is in a class of his own.
The film follows a lower-class South Korean family as they slowly integrate themselves in the lives of an upper-class family and their lavish household. As their entanglement is spun out of a web of deceit, the lowly family find themselves skating on thin ice when it comes to keeping up appearances.
It's a twisty satire on social-economic disparities in South Korean society that swings broadly in tone, and sometimes threatens to tip over the edge, but never feels less than meticulously calculated in its tonal shifts.
However, to reveal anything more about the story would be to take away from the overall experience, as each act is marked by a major plot twist or revelation that keeps the film one step ahead of the viewer at all times. Go in blind if you can and expect an unforgettable ride.
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