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Parasite (2019)

Gisaengchung (original title)
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All unemployed, Ki-taek and his family take peculiar interest in the wealthy and glamorous Parks, as they ingratiate themselves into their lives and get entangled in an unexpected incident.

Director:

Bong Joon Ho

Writers:

Bong Joon Ho (story), Bong Joon Ho (screenplay) | 1 more credit »
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Popularity
5 ( 2)

Bong Joon-Ho Describes the Origin of 'Parasite'

Bong Joon-Ho says the idea for Parasite had been in his brain for a while, and lead actor Song Kang-Ho shares how they have developed a friendship and trust over the last 20 years.

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Top Rated Movies #26 | Nominated for 6 Oscars. Another 159 wins & 174 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kang-ho Song ... Kim Ki-taek (as Song Kang Ho)
Sun-kyun Lee ... Park Dong-ik (as Lee Sun Kyun)
Yeo-jeong Jo ... Park Yeon-kyo (as Cho Yeo Jeong)
Woo-sik Choi ... Kim Ki-woo (as Choi Woo Shik)
So-dam Park ... Kim Ki-jung (as Park So Dam)
Jeong-eun Lee ... Moon-gwang (as Lee Jung Eun)
Hye-jin Jang ... Kim Chung-sook (as Chang Hyae Jin)
Ji-hye Lee ... Singer
Ji-so Jung ... Park Da-hye (as Jung Ziso)
Myeong-hoon Park ... Geun-se
Seo-joon Park ... Min
Keun-rok Park ... Yoon
Seong-Bong Ahn Seong-Bong Ahn ... Man Provoking Quarrel
Kang Echae Kang Echae ... Special Guest
Jeong Esuz Jeong Esuz ... CEO of Pizza Place
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Storyline

Jobless, penniless, and, above all, hopeless, the unmotivated patriarch, Ki-taek, and his equally unambitious family--his supportive wife, Chung-sook; his cynical twentysomething daughter, Ki-jung, and his college-age son, Ki-woo--occupy themselves by working for peanuts in their squalid basement-level apartment. Then, by sheer luck, a lucrative business proposition will pave the way for an insidiously subtle scheme, as Ki-woo summons up the courage to pose as an English tutor for the teenage daughter of the affluent Park family. Now, the stage seems set for an unceasing winner-take-all class war. How does one get rid of a parasite? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Act like you own the place (USA) See more »

Genres:

Comedy | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language, some violence and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

South Korea

Language:

Korean | English

Release Date:

8 November 2019 (USA) See more »

Also Known As:

Parasite See more »

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Box Office

Opening Weekend USA:

$393,216, 13 October 2019

Gross USA:

$28,199,865

Cumulative Worldwide Gross:

$143,060,316
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Director Bong Joon Ho chose his long time collaborator Kang-ho Song and Woo-sik Choi, who was in Bong's last film Okja (2017), before picking any other actors of the movie while writing the script. See more »

Goofs

Crank in basement to open door. Man could have let himself out. See more »

Quotes

Chung-sook, Ki-taek's wife: If I had all this I would be kinder.
See more »


Soundtracks

In Ginnochio Da Te
Performed by Gianni Morandi
Sony Music
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Frequently Asked Questions

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User Reviews

 
Meritocracy: it's metaphorical
25 August 2019 | by nehpetstephenSee all my reviews

In a meritocracy, success and fortune are reserved for those who deserve it--those who develop solid plans according to their talents and abilities and who execute those plans through hard work and determination. Anyone can rise to the top, and for some lucky Cinderella, plucked from the cinders and gussied up in gowns, the meritocracy represents the heights of perfect egalitarian society: "I started with nothing and ended up with everything I ever desired; you, too, can achieve you dreams, if only you try."

The promise of unobstructed sunshine at the top of the mountain becomes justification for bitter competition, backstabbing, deceit, and callousness. You climb the crooked ladder until you make it to the straight one, and then, perhaps, when you at last feel secure, you can afford to be kind and confident and generous. "It's easy to be nice when you're rich," the mother in this film (Jang Hye-jin) at one point observes.

But it's a very long and very crooked ladder, and sometimes the rungs give out beneath your grip, and sometimes they've been dangerously greased by those who climbed before you, and sometimes the ladder itself is simply kicked down--either by those above you or, just as often, by those staring up from the ground below. There are a lot of people trying to climb that one ladder.

But in a meritocracy, you can't blame the ladder or the other people trying to climb it. Nor can you blame the fact that all the good stuff is kept so many stories up instead of down at the ground where everyone can easily reach it. No, you must blame yourself. You should have tread more carefully. You should have climbed more quickly. You should have used a firmer and more precise grip, anticipated disasters, and known just when to leap. If you fail in a meritocracy, it's all your fault. You should have tried harder. Better luck next time.

Kim Ki-woo (Choi Woo-sik), the young man who is the main character of PARASITE, several times refers to "metaphors," and the film itself is, of course, a metaphor. On a surface level, viewers are treated to a very thrilling, engaging, well-paced and well-plotted crime story. At all times, however, bubbling up from beneath the slick surface of this genre film, there are deeply personal, meaningful truths that should resonate with almost any viewer. These insights are rarely foregrounded. They are so subtly interwoven, in fact, that if you're like me, you may be completely surprised when the final shots of the film roll and you realize that you are emotionally devastated by the intimate, humanist story you've just witnessed. Bong Joon-ho's filmmaking is so extraordinary here that he'll make you fully invested in the lives of his characters without you even realizing he's done so.

I want to avoid spoilers here, but suffice it to say that PARASITE is a masterpiece--beautifully lensed, enthrallingly edited, superbly acted, and intimately involving.

South Korea has a population that is one sixth the size of the United States, and that population is stacked into skyscrapers in an area slightly smaller than the state of Kentucky. Higher education is widespread, so parents with means try to make their children stand above the pack by hiring them tutors and signing them up for extracurriculars and afterschool programs. I lived in Korea once, and the children I taught there were sometimes engaged in learning ten to twelve hours a day, six days a week--public school, English-immersion private school, piano class, soccer team, taekwondo, math camp, chess club, and so on. I routinely worked sixty to seventy hours a week on salary, but at bars I would meet young men my age who were expected to work far more than that, who slept at their desks so that they did not need to pry themselves from work for too long. As the father (Song Kang-ho) in the film at one point says, this is a country where fifty young men with college degrees apply for a mere security guard job. One can't afford not to struggle.

The themes of this story are not just localized to Korea, however. They are the story of global capitalism, and the specter of American materialism (and imperialism; note the "Indians") looms heavily over the film. Meritocracy makes cannibals of us all. It's nice to dream, and sometimes the dreamers who plan and struggle well enough can indeed climb out of the basement and into the sunshine, and how nice an ending it is when they do. But the film also makes it clear that sometimes all that planning and dreaming may be, maybe, just whims and fancy. More often, it seems, our pipe dreams are content to leave us with nothing more than the whiff of spewed sewage.


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