With seemingly scathing reviews from critics and audiences alike, you'd think that "Marlowe" is the worst thing since Judas' betrayal of Christ. "Sleep inducing," "dull," and "the worst movie I've seen all year," are just a few of the things that people have said about Liam Neeson's 100th feature film - and in fact, if you take a gander at some of the reviews on this very site, you will see many of those sentiments repeated. And while it's hard to argue against those opinions, I can't shake the feeling that, perhaps, people expected a traditional Neeson action film, when in reality "Marlowe" is anything but.
With about 60 seconds of total action in the entire movie, "Marlowe" is a noir drama through and through. Sure, you'll get a fist fight or two, and maybe a shootout here and there, but both the fist fights and the shootouts are the most pedestrian and bare bones action sequences you'd have seen since, well, the last Liam Neeson movie. And while that would typically be a major complaint of mine, I didn't have as much of a problem with it here. You see, "Marlowe" never pretends to be or portrays itself as an action film. Instead, from the very beginning the movie portrays itself as what it is: A dramatic noir mystery.
Steeped in the anachronisms of 1930s culture, barely a scene goes by where someone isn't enjoying an alcoholic beverage or having a smoke. And because I have an affinity for both of those things, I admittedly enjoyed watching people constantly puff on cigarettes and drink hard liquor. True to its time period, "Marlowe" also looks the part - the movie is gorgeous, with impeccable set and costume design; I was legitimately impressed with the movie's portrayal of Los Angeles in its golden age. And the music, too, was very fitting and appropriately moody, adding a certain "je ne sais quoi," if you will.
If a visual and auditory feast is what you're looking for, you'll leave "Marlowe" satiated. So what's the issue? Truth be told, there are a lot of faults here, and this is coming from someone who doesn't think this movie is as bad as people are saying. For one, the plot, while not necessarily convoluted, does play out in a pretty confusing manner. Liam Neeson's Marlowe will go from place to place and person to person with nary an establishing shot to be found, almost as if he was teleporting to various places and talking to people who just instantaneously appeared there. This lack of coherency does make the story hard to follow, especially when coupled with the bizarre dialogue. Characters say things and have conversations in a way that is so unnatural that I can't imagine anyone behaving like that in real life, even in 1930s Hollywood. Yes, there are a few memorable lines here and there, but you do have to sit through a large majority of unrealistic, uncanny dialogue.
All that said, I honestly didn't hate this movie as much as others seem to be. I found a lot to like in terms of the visuals alone, and Liam Neeson was enjoyable in a more dramatic performance. The main mystery is thought provoking enough, and everything wraps up in a satisfying way. "Marlowe" also is a lot of fun to look at, if you enjoy the time period and culture as much as I do. However, the bizarre formation of the plot runs the risk of confusing audiences, and the fact that the movie is 99% dialogue and 1% action also doesn't bode well for large box office returns. When all is said and done though, I liked this more than I thought I would, but I recognize it is by no means Liam Neeson's best.
