6.5/10
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15 user 43 critic

Diane (2018)

Not Rated | | Drama | 29 March 2019 (USA)
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Diane fills her days helping others and desperately attempting to bond with her drug-addicted son. As these pieces of her existence begin to fade, she finds herself confronting memories she'd sooner forget than face.

Director:

Kent Jones

Writer:

Kent Jones
6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mary Kay Place ... Diane
Jake Lacy ... Brian
Estelle Parsons ... Mary
Andrea Martin ... Bobbie
Deirdre O'Connell ... Donna
Glynnis O'Connor ... Dottie
Joyce Van Patten ... Madge
Kerry Flanagan ... Nurse jackie
Phyllis Somerville ... Ina
Celia Keenan-Bolger ... Tally
Ray Iannicelli ... Al Rymanowski
David Tuttle David Tuttle ... Minister
Marcia Haufrecht ... Carol Rymanowski
Mike Hartman Mike Hartman ... Bartender
Cara Yeates ... Dorie
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Storyline

Diane fills her days helping others and desperately attempting to bond with her drug-addicted son. As these pieces of her existence begin to fade, she finds herself confronting memories she'd sooner forget than face.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 March 2019 (USA) See more »

Also Known As:

Diane See more »

Filming Locations:

New York, USA

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Box Office

Opening Weekend USA:

$24,467, 31 March 2019, Limited Release

Gross USA:

$336,102, 22 May 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Written specifically for Mary Kay Place. See more »

Soundtracks

My Love
Written by Louis Lupinacci
Performed by Louie Lupo & The Swaggers
Published by Saxist Music(ASCAP), Getcha Music (ASCAP) and Oldwick Music (ASCAP)
Courtesy of Westwood Music Group
See more »

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User Reviews

 
The Masterpiece of Female Boomer Life
25 May 2019 | by ahicks-2See all my reviews

DIANE is an very realistically observed, emotionally nuanced drama of sixty-something Boomer women living in small-town up-upstate New York, Western Massachusetts, or thereabouts, and centered around an Oscar calibre performance by Mary Kay Place. Although the viewer may be captivated by the spell of the film's flow of personal and interpersonal detail, a thematic core may be abstracted from it; and some nice formal flourishes enrich the film. Thematically, the film illuminates the individual and group altruism of its world of Sixtyish Boomer women, a kind of unspoken sisterhood of social nurture. Formally, the emotional density of its many micro dramas is periodically offset by lovely scenes of calm country highway driving. Commercially, one fears that the film may suffer from a lack of conventional "hooks," but it's appeal -- word of it accurately and well spread -- should be intense for the sizable audience of Boomer women, not to mention alert demographically diverse cinophiles.


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