This period film from Director Devon Parks weaves an intersecting web of characters, all having witnessed a murder from three different vantage points. The dark past of this turn of the century town begins to uncover itself as an elaborate...
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Director:
Writer:
Awards:
- 7 wins.
- See more »
Photos and Videos
Cast
| Lauren Sweetser | ... |
Allye Pearrow
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| Brett Cullen | ... |
Dr. Willard Pearrow
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| Connor Price | ... |
August
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| Micah Hauptman | ... |
Cyrus Grimes
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| Brandon Keener | ... |
William
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| Travis Joe Dixon | ... |
Jack
(as Travis Dixon)
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Brace Harris | ... |
Jameison
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David Pickens | ... |
Pops
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| Jeremy Shouldis | ... |
Henry
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Missy Speer Gipson | ... |
Jane
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| Dustin Prince | ... |
Doctor
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| Claire Donald | ... |
Mary
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Curtis Longfellow | ... |
Soda Shop Clerk
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| Steven Marzolf | ... |
Daniel
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| Stephanie Bignault | ... |
Lora
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| David J. Lee | ... |
Usher
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Nicole Desiree Hays | ... |
Rosa
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Greg Campbell | ... |
Stage hand
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| Chuck Meré | ... |
Vaudeville Performer
(as Chuck Mere)
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Richie Lee | ... |
Deputy
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| Dean Denton | ... |
Deputy
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| Kelsey Shryer | ... |
Patient
(as Kelsey David Shryer)
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Austin Michael | ... |
Waiter
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Bryce Kemph | ... |
Low-Class Citizen
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| Rest of cast listed alphabetically: | |||
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Max Avery | ... |
Theater Guest
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| Eric Parkinson | ... |
Newspaper Photographer
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Annabell Vaughan | ... |
Background
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Crystal Woodham | ... |
Extra
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Lesa Wolfe | ... |
Marguerite (uncredited)
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Directed by
| Devon Parks | ||
Written by
| Devon Parks | ... | () |
Produced by
| Eric Parkinson | ... | executive producer |
| Devon Parks | ... | producer |
| Fred Shefte | ... | executive producer |
| Lauren Sweetser | ... | producer |
| Rachel Turner | ... | line producer |
Music by
| Kevin Croxton | ||
Cinematography by
| Travis Joiner | ||
Editing by
| Devon Parks | ||
Casting By
| Elizabeth Barnes | ||
Production Design by
| Emily Danielle Parks | ||
Makeup Department
| Joy Conly | ... | hair and make-up assistant (as Emily Joy Conly) |
| Ginger Nichols | ... | hair department head |
| Summer Shook | ... | key makeup artist |
Second Unit Director or Assistant Director
| Nathan Kincaid | ... | first assistant director |
| Elizabeth Lee | ... | second second assistant director |
| Mark Moehle | ... | second assistant director |
Sound Department
| John Doryk | ... | foley artist / re-recording mixer / sound effects editor / supervising sound editor |
| Alexandra Lambdin | ... | sound mixer |
| Thomasa A. Stegall | ... | boom operator |
Special Effects by
| Kali Tattersall | ... | pyrotechnic effects |
Stunts
| Kurt Gerard | ... | stunts |
Camera and Electrical Department
| Jordan Gehrig | ... | best boy grip |
| Greg Hartman | ... | still photographer |
| Marshall Hendershot | ... | loader |
| Michael Lopez | ... | key grip |
| Levi Wortley | ... | first assistant camera |
| Tim Yoder | ... | a camera/steadicam operator |
Costume and Wardrobe Department
| Elizabeth Lee | ... | assistant costume designer |
Script and Continuity Department
| Laura Coconato | ... | script supervisor |
Additional Crew
| Devon Fernandez | ... | production assistant |
| Earl Hale | ... | production coordinator |
Production Companies
Distributors
- Hannover House (2018) (United States) (theatrical)
- Giant Pictures (2019) (World-wide)
Special Effects
Other Companies
Storyline
| Plot Summary |
This period film from Director Devon Parks weaves an intersecting web of characters, all having witnessed a murder from three different vantage points. The dark past of this turn of the century town begins to uncover itself as an elaborate plot for revenge is constructed around the origins of a real life ghost story. |
| Plot Keywords | |
| Taglines | Death doesn't feel the same to all of us See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
| Runtime |
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| Official Sites | |
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| Filming Locations |
Box Office
| Opening Weekend United States | $28,840, 16 Sep 2018 |
Did You Know?
| Trivia | Since The Riot Act's initial release, Eric Parkinson and Fred Shefte have been terminated from employment as Executive Producers and had all future association with The Riot Act, as producers or distributors, revoked due to unforeseen circumstances. See more » |