SADIE is the story of a girl who will stop at nothing to preserve her father's place on the home front. Sadie (Sophia Mitri Schloss) is the daughter of a soldier and models herself after ... See full summary »
Sophia Mitri Schloss,
John Gallagher Jr.
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"Back Roads" centers on a young man stuck in the Pennsylvania backwoods caring for his three younger sisters after the shooting death of his abusive father and the arrest of his mother. ... See full summary »
A story about money, mischief, love and entitlement, set in New York City. Ruth Duffy is getting by on an assistant's salary at a pricey school for girls in Manhattan, managing to move ... See full summary »
Having been subjected to Nicholas Sparks's romantic sludge for years, I am pleased with a romantic drama that feels real and painful without hearts, flowers, or bottle messages. The brilliance of After Everything (fka Shotgun) is that writer/directors Hannah Marks and Joey Power keep sentimentality at bay while directing two fine actors, whose chemistry is astonishingly believable. It's the year's best romance.
Elliot (Jeremy Allen White), reminding me of Dustin Hoffman's Graduate look and persona, gets a life-defining diagnosis while meeting the girl of his dreams, Mia (Maika Monroe). Despite his bleak prognosis, they fall in love and marry. Of course, already the situation is unreal, but the characters are so sincerely in love that we become complicit in their seemingly skewered decision.
However, the film is dedicated to showing authentic love that sacrifices certainty for the abstract promise of everlasting love. And they love in a fetchingly warm connection that makes us forget he seems doomed to early death.
I'm not an overly-sentimental type, but After Everything is close to my perfect screen romance. It's real and touching without the dross that usually accompanies this type of drama. A date night-you bet!
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