In the summer of 1991, a sheltered teenage boy comes of age during a wild summer he spends in Cape Cod getting rich from selling pot to gangsters, falling in love for the first time, partying and eventually realizing that he is in over his head.
How To Be Alone follows Lucy, as she struggles to survive an increasingly bizarre and horrifying night. Lucy most secret fears begin to manifest and attack her, she must fight for control of her mind, and ultimately her life.
Having been subjected to Nicholas Sparks's romantic sludge for years, I am pleased with a romantic drama that feels real and painful without hearts, flowers, or bottle messages. The brilliance of After Everything (fka Shotgun) is that writer/directors Hannah Marks and Joey Power keep sentimentality at bay while directing two fine actors, whose chemistry is astonishingly believable. It's the year's best romance.
Elliot (Jeremy Allen White), reminding me of Dustin Hoffman's Graduate look and persona, gets a life-defining diagnosis while meeting the girl of his dreams, Mia (Maika Monroe). Despite his bleak prognosis, they fall in love and marry. Of course, already the situation is unreal, but the characters are so sincerely in love that we become complicit in their seemingly skewered decision.
However, the film is dedicated to showing authentic love that sacrifices certainty for the abstract promise of everlasting love. And they love in a fetchingly warm connection that makes us forget he seems doomed to early death.
I'm not an overly-sentimental type, but After Everything is close to my perfect screen romance. It's real and touching without the dross that usually accompanies this type of drama. A date night-you bet!
19 of 23 people found this review helpful.
Was this review helpful to you?
| Report this