5.6/10
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4 user 20 critic

Don't. Get. Out! (2018)

Steig. Nicht. Aus! (original title)
A loving father and husband is exorted by an unknown guy and he is about to lose his life, his money and his family.

Director:

Christian Alvart

Writers:

Christian Alvart (screenplay), Alberto Marini (adapted from a screenplay by)
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Cast

Cast overview, first billed only:
Wotan Wilke Möhring ... Karl Brendt
Nora Huetz Nora Huetz ... Coco Meduza (as Nora Hütz)
Jasmina Al Zihairi Jasmina Al Zihairi ... Julia Sanchez (as Jasmina Al-Zihairi)
Fahri Yardim ... Omar Cicek
Mavie Hörbiger ... Ida Cicek
Carlo Thoma Carlo Thoma ... Marius Brendt
Emily Kusche Emily Kusche ... Josefine Brendt
Christiane Paul ... Simone Brendt
Jürgen Heinrich ... Alexander Rocher (voice)
Luis August Kurecki Luis August Kurecki ... Roman
Mareike Fell ... Miriam Sosse (voice)
Paul Lux ... David
Simon Werner ... Autofahrer
Klaus Zmorek Klaus Zmorek ... Pascal D'Angelo
Aleksandar Jovanovic ... Fritz Drache
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Storyline

A loving father and husband is exorted by an unknown guy and he is about to lose his life, his money and his family.

Plot Summary | Add Synopsis

Genres:

Thriller

Certificate:

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Details

Country:

Germany

Language:

German

Release Date:

12 April 2018 (Germany) See more »

Also Known As:

Don't. Get. Out! See more »

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Box Office

Budget:

€2,500,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Despite being second-billed, Hannah Herzsprung only appears 53 minutes into the film. See more »

Goofs

The Fire Department vehicles are missing the markings of the Fire Department of Berlin. See more »

Connections

Remake of Retribution (2015) See more »

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User Reviews

 
Entirely unnecessary remake
30 May 2018 | by richardgeuterSee all my reviews

"Steig. Nicht. Aus!" is a remake of the Spanish thriller "El desconocido" (or known in the USA under its equally non-specific title "Redemption"), and as the older movie is currently on Netflix in my region and I like to compare different adaptations of the same story, I watched the Spanish film before going into the German update.

So, having seen the same story a couple days prior, my problem with "Steig. Nicht. Aus!" wasn't as much that it was terribly made (it's at least more watchable than most movies I would give 3 stars), it's that the movie gave me nothing new that I didn't already get out of "Desconocido". In fact, some aspects of the remake are a few steps below the original.

Take, for example, the opening scene, which is the only scene that writer-director Christian Alvart doesn't lift from the Spanish version: Our main character talks to a strange woman on a plane about his fear of flying, which stems from his not being able to just step the vehicle and get out. Get it? Because he won't be able to get out of his car either, once the film stars proper. Foreshadowing!

The opening scene quickly morphs into the that of "El desconocido," and from that point onwards Christian Alvart's script is little more than a German translation of that movie's script. This practice of making the same movie again in a different language is very irritating to me, because the experience of watching this movie can be almost completely replaced by watching an earlier movie - and one that is much better made.

Much of this movie revolves around main actor Wotan Wilke Möhring sitting in a car and talking to people on his phone. Sadly, he is no Tom Hardy (or "Desconocido"-star Luis Tosar, for that matter). He alternately under- or overacts, leading to some unintentionally funny moments. Luis Tosar in "El desconocido" was able to portray different levels of concern and panic, slowly growing more stressed as the film went on. Möhring just gets rid of every emotion that isn't extreme anger or slight uncomfortableness.

The direction is equally unsubtle, with many cheesy zooms in Möhring's face when he is in beast-mode. The music is also quite overbearing, at least in the beginning. The supporting actors do a good job, and the film is overall probably quite watchable if you've got nothing better to do with your evening. If you have the choice between this and its predecessor, I would strongly advise you to watch the other one, though.


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