In 1994, a sequence of events begins that changes the life of a girl named Annie forever.
Whether you watch weekly or want to join in for the big finish, get ready for these big Spring TV and streaming finales.
Related lists from IMDb editors
Related lists from IMDb users
Title: Castle Rock (2018–2019)
Want to share IMDb's rating on your own site? Use the HTML below.
A psychological-horror series set in the Stephen King multiverse, Castle Rock combines the mythological scale and intimate character storytelling of King's best-loved works, weaving an epic saga of darkness and light, played out on a few square miles of Maine woodland. The fictional Maine town of Castle Rock has figured prominently in King's literary career: Cujo, The Dark Half and Needful Things, as well as novella The Body and numerous short stories such as Rita Hayworth and The Shawshank Redemption are either set there or contain references to Castle Rock. Castle Rock is an original suspense/thriller - a first-of-its-kind reimagining that explores the themes and worlds uniting the entire King canon, while brushing up against some of his most iconic and beloved stories. Written by ahmetkozan
Stephen King isn't my favourite kind of writer, even for adaptations, however one could expect original material by him to have at least some kind of recognizable, coherent structure. This feels distinctly different even to someone with only passing knowledge of Stephen King stories, as it is clearly not an original. This series is full of a sense brooding and doom, however without any coherence or anything to justify one's interest, instead it does what is the norm nowadays in TV writing: it simply assumes one's interest, takes it for granted, because watching stuff is practically a civil duty nowadays. What one is fed then is merely a pastiche of vague thematic references to Stephen King stories.
Aside from lacking any hooks, and generally a sense of believability, it also has these little signs of inferior writing: when a prison guard walks around in the semi-dark with a drawn gun, while the alarm is blaring, a colleague silently creeps up on him from behind to touch him on the shoulder, and because this moment of "surprise" formally ends the clichéd moment of fake-tension, it is supposedly the fault of the guard with the gun when he reacts hostilely, rather than the idiot's for not announcing himself (or saying the other's name) like an intelligent human being. People behave as demanded by the structure, not by any sort of logic or realism. This sense of banality defines all the proceedings and characters.