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Storyline
Director/writer Leigh Whannell presents a vision of a Utopian future where technology is supremely ubiquitous. In that future, technophobe Grey Trace (Logan Marshall-Green) embraces an experimental computer chip implant named STEM after a mugging incident leaves him paralyzed and his wife dead. STEM proves to possess its own agency, making for an unpredictable ally in Trace's vendetta.
Plot Summary
|
Plot Synopsis
Taglines:
Not Man. Not Machine. More.
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Details
Release Date:
1 June 2018 (USA)
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Box Office
Budget:
$5,000,000
(estimated)
Opening Weekend USA:
$4,670,905,
3 June 2018, Wide Release
Gross USA:
$11,871,365
See more on IMDbPro »
Company Credits
Technical Specs
Sound Mix:
DTS
(HD Master Audio 5.1)
Aspect Ratio:
2.35 : 1
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full technical specs »
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Did You Know?
Trivia
During the fight scenes, the camera often tracks Grey so that he remains in the middle of frame. According to director
Leigh Whannell, this was achieved by hiding a phone somewhere on actor
Logan Marshall-Green, which the cameras could then pair to and follow with as much accuracy as possible.
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Goofs
During the car chase, the same overhead road signs appear at least twice (most noticeably one with "3 1/2" in the lower right corner).
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Quotes
[
from trailer]
Grey Trace:
Stem, he's got a knife!
Stem:
[
calmly]
I see that. We have a knife, too.
[
Grey, under Stem's control, takes the knife from the assailant and stabs him]
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Crazy Credits
In lieu of text, the production companies and title are instead narrated by an artificial female voice, represented visually by sound waves.
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Soundtracks
Capitalism
Written by Robin Marsh, Wade Black & Damian Coward
Performed by Kollaps
Copyright control
Licensed courtesy of Trait Records
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I went into this with fairly low expectations. The trailer looked good, and the cinematography looked exciting. But the premise seemed tired and worn.
*in a deep, movie-voice over voice* some guys kill his wife, and now he's seeking revenge".
But this film surpassed my expectations, and was a well-worth experience. Not only was I correct about the cinematography being exciting and engaging, but the plot actually strung together compelling way. This film came out of nowhere for me, and now, it's a memorable film that accomplishes the most important goal of any great film: gets the audience to keep wondering about it.
Since I don't want to go into spoilers, I'll say one last thing: pay attention to the Foley artist's work. The sound design is poignant and additive to the experience. It reminds me of the clever usage of music from Baby Driver. Nothing is wasted and is always enriching of the world building. With Baby Driver, the music was giving us Baby's personal experience. Here, the sound effects give us Grey's point of view. Didn't experiences, but both are elevated through sound, masterfully.
I genuinely want to see it again. If the trailer interested you at all, go see it. It's worth your while.