Gloria finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength. Based on the Spanish-language film.
Baker Dill (Matthew McConaughey) is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen (Anne Hathaway) tracks him down with a desperate plea for help. She begs Dill to save her - and their young son - from her new, violent husband (Jason Clarke) by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen's appearance thrusts Dill back into a life he'd tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems.
Why do people enjoy films with an abstracted hyper style, like 'Shutter Island,' or Zulawski's 'Possession' but dismiss it here?
Perhaps people are just primed to like (or pretend to like) a film directed by someone they think is important.
Another thought: Imagine something like this film made during the German Expressionist period of cinema. Silent cinema. Subtitles. Foreign. The techniques employed become acceptable.
I loved the sheer ballsiness of everyone's commitment to this movie. Matthew McConaughey, Anne Hathaway, Jason Clarke give it everything. And that only comes about by having confidence in the film.
The plot twists aren't there to surprise the audience in the manner of something like 'The Usual Suspects', they exist to create the feeling of a troubled conscience. Perhaps, that's what everyone is snickering at? When one of the most popular pass times is shaming people on social media to whom we feel superior, the idea of self doubt and uncertain morality are things we need to ridicule?
I dunno. I'll say this: I was never bored watching this film, which is more than I can for most films these days. Some day it'll find a proper following. It deserves it.
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