"Outlander" Of Lost Things (TV Episode 2017) Poster

(TV Series)

(2017)

User Reviews

Review this title
6 Reviews
Sort by:
Filter by Rating:
10/10
Don't Tell Anyone You're A Papist.
wandernn1-81-68327429 July 2020
Another surprising episode. Here when I thought I just couldn't be surprised at Jamie's both good luck and bad luck, here is another shining example of both.

And a fantastic choice of song for the end. Really really tugs at the heart. This series is turning me into some sort of sap.

10/10
21 out of 21 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Difficult Material Handled Well
sara_sassypants2 October 2017
Warning: Spoilers
It must be said straight away that the acting on this show is phenomenal. There is not a weak link in the casting and everyone gives top-notch performances of the highest caliber. The novel "Voyager" by Diana Gabaldon, upon which this season is built, is epic and dramatic and for many their favorite story lines. I have more issues with this book than any other, so believe me when I say I was VERY impressed and happy with how this episode handled VERY challenging story points.

The episode begins with Claire, Brianna, and Roger discussing what may have happened to Jamie and they do find his time spent at Ardsmuir prison, but the trail starts running cold. We then take up with Jamie as he enters his new home, Helwater. I won't go too much into detail, but we see Jamie acclimating to his new home and having to put up with the eldest daughter of his new Lord and Lady, Geneva. She is a cruel, spoiled, and deceptive brat who we see is set to marry a much older man of wealth and privilege, who does not regard her more than a mere possession.

After a few encounters by the stables where Jamie has told Geneva what he thinks of her, she propositions him to sleep with her before her wedding, or she will expose the truth about him to her family (who HATE Jacobites) and he will be sent back to prison again and Lallybroch will surely crumble without his help.

Feeling like he has no other option, he goes to her and does the deed. Now, there is MAJOR controversy in the readership over this encounter and I believe it was handled as best as could be expected. Several exchanges are omitted and it is a simple and tasteful "love scene". You don't feel like it disrespects what has come before it and you don't question the conflict within Jamie.

Later we discover this "union" has produced a child. The husband declares the child a bastard, since Geneva (now dead from childbirth) never bothered to consummate their marriage. Everyone now "knows" that Geneva was with another man and it's pretty accepted that people know it was Jamie. After rescuing the baby from the enraged Earl of Ellesmere, Jamie shoots him in defense. Geneva's mother later offers him the opportunity to go home to Lallybroch and Jamie declines. He wants to be near his son, if only to see him grow up. After a few years, the rumor mill is strong enough to push Jamie away, back home, to keep everyone safe.

Jamie reaches out to Lord John Grey (LJG), his "protector", who had originally placed Jamie at Helwater. The two men discuss the situation of Jamie's leaving and when Jamie "offers himself" to LJG for the protection of his son, we see LJG genuinely shocked and touched. He reveals that he would very much wish this to happen, but would never do such a thing in exchange. His character is very much solidified in this moment.

Meanwhile, we have popped back and forth between 18th century England and 20th century Scotland. Claire is given back the Scotch pearls she received from Jamie on their wedding night, that Frank made her give up 20 years ago. You can see Claire trying to work out how to continue "chasing a ghost" despite overwhelming obstacles. She decides to give up the search.....for now.

There are brief moments of levity with her daughter Brianna and their friend Roger Wakefield. This is VERY welcome, considering all of the darkness that has surrounded the season so far. Roger and Brianna grow closer and we see Bree wrapping her mind around the possibility she may need to let her mother go back to see Jamie.

Overall, this was a strong episode and I was very please with the entire thing. I must applaud Hannah James (Geneva), for taking on such a difficult role. She handled it well and was able to bring a good balance to the character. It's not easy to play one of the most hated characters in a series and to do it unapologetically. Another nod to Richard Rankin for creating moments of ease and truth. You can see everything you need to about Roger and his natural charisma is engaging to watch.

Outlander has come leaps and bounds and no season can be compared to another without taking into account the obstacles that each faces. Voyager is pacing really well and we are a quarter of the way through the season. This is promising for the better things to come.
33 out of 36 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Breathtakingly Beautiful!
Krish7281 October 2017
Warning: Spoilers
Yep.. first episode this season that had me in tears. Happy tears.. sad tears.. all kinds of tears. I didn't feel Claire (or Bree or Roger) in this episode. It's all Jamie-William-LJG-Isobel-Geneva. Sam, David, Hannah, and Tanya.. all have hit the ball out of the park. All of them, just WONDERFUL.

And a nice surprise bringing back Hal in this episode. Although, I don't think Hal would give away any important info (such as Jamie is a Traitor to the crown.. and that he let him go anyway) with a few drinks. I don't believe that's Hal.

And from the moment Jamie held baby William in his arms to the end of the episode, it was a sob fest. All kinds of tears streaming down my cheeks. Last week Matt gave his best episode, yet. This week, Toni has given not only her best episode, but the BEST episode of the series, yet. Oh.. what would Outlander TV series be without Toni and Matt.

There's little to nothing of Claire this episode. Just like the previous two. I had expected there would more. But, I get it. Helwater is the priority.. and I'm all for Helwater.

And LJG!! I'm really loving LJG on the show. I didn't like it in the books that Jamie kissed LJG, but I so, so wanted him to give him a kiss in this episode.. but that didn't happen. Disappointed!

Geneva - Ah! She's an absolute beauty. And Hannah James acting was just.. wow! How perfect was she as Geneva!

Isobel - So, they've given Lady Dunsany role to Isobel. And I liked it. She's sweet. I really liked her.

Jamie & William - No words. Just the feels. They are the most breathtakingly beautiful thing this season, yet.

And that concludes my views of this episode. The Best Episode of the series, yet.
38 out of 45 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Of Lost Things
bobcobb30127 April 2018
Warning: Spoilers
I am not sure how long the show can keep Jamie and Claire apart, but this episode did a really good job of storytelling.

I don't think we needed the massive time jump of both months and years, I wish we saw the pregnancy, saw the birth, saw the raising of the child.

But Jamie's struggle was well-documented and enjoyable.
6 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
One of the greatest episodes of any tv show EVER
connie-baldini-427-5610374 February 2019
Warning: Spoilers
As you begin the journey of Outlander, you can't fathom a time when anything but the love between Jamie and Claire is all there is. Don't get me wrong, this episode - at its core - is about their love. Except that they're not together. And instead we explore alternate realities. Realities that exist centuries apart. Realities that must exist in the absence of their love. Claire and Jamie are trying to pick up the pieces. And on those journeys, they meet other people and have new experiences. While the life Claire is living in the 20th century is fascinating as she tries to find her way back to Jamie; it's Jamie's life that truly breaks your heart. Jamie is helped by Lord John Grey to obtain a position as a servant at a castle. Having been recently released from prison and living a life without Claire, this isn't the bright-eyed Jamie we've come to love. He's hardened by his heartbreak. While he attends to the daily chores of the Dunsany family, the brutish but beautiful Geneva takes an interest in Jamie and blackmails him into taking her virginity. The encounter produces a son. Because no one can know the truth of the child's heritage, Jamie fathers him without that knowledge. The child only knows him as Mac - the groom who teaches him to ride horses, and has pretty much been with him every moment of his life. Jamie knows that one day, he'll have to leave his indentured life at that castle. He has to make the difficult decision to leave his son behind. I can't say more about the emotion that this episode invokes. Outlander is but just a show about romantic love. There is friendship and family and all kinds of love in between.
12 out of 16 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
A Surprisingly Irresponsible Episode
jmansmannstjohnslrev1 March 2021
Warning: Spoilers
I have to say, one of the things that sets Outlander apart from quite a few television programs is their handling of sexual violence and assault. Don't get me wrong, at times sexual misconduct is overused for plot purposes, but normally, the portrayal itself is done with care, even at times where the violence itself is horrifying, ie. Wentworth Prison. This episode is one of the few times where I do not think the portrayal is responsible.

My issue is not with the fact that it happens. In fact, I think it's a good reminder that sexual abuse is not always perpetrated by men and not always an act of violence. Geneva's threat of blackmail to force Jaime to lie with her is actually a rather nuanced, in that you don't often see situations in television where a woman sexually assaults a man in such a way. But there is something about it that just rubs me the wrong way and makes it difficult for me to engage with it.

On the one hand, it's frightening how much the showrunners made Hannah James (Geneva) look like Caitriona Balfe in this episode. It looks like Geneva could be Claire's younger sister. It freaks me out because it feels like Claire is raping Jaime in this episode. I don't know if it was by design, but her looks, her mannerisms, her profanities, they all remind me of Claire. The writers probably wanted this, to show the difference between passion and love, of something you could share with any person as opposed to the one you give your heart and soul to. If so, maybe I missed the point, but for some reason it just freaks me out. The second problem is that the episode is not tonally consistent. I feel like the episode is designed for us to pity Geneva; that she is just some poor inexperienced girl who thinks she's in love who is forced to marry some rich old man and is thus somehow justified in lying with Jaime. Big problem is, she forced Jaime to lie with him by blackmailing him. It's hard to justify her actions considering the amount of abuse that Jaime was put through.

Perhaps the show wanted to add complexities to Geneva's character, but tell me any other time where the show has tried to defend a rapist's actions. Outlander gives you insight into Randall's character, Sandringham's character, Dougal's character, etc. but never portrays them in a way to try to convince you that they were justified in their actions.

Besides that, I think this episode is the weakest in Jaime's storyline because it is a plot driven episode. It doesn't tell you very much about Jaime's character or his state of mind in the same way the last two episodes did. Couple this with the somewhat questionable portrayal of Jaime's "relationship" with Geneva, and the story feels mechanical. Jaime goes to Hellwater, is forced to lie with Geneva, she's pregnant, she dies in childbirth, Jaime kills her husband, the baby goes back to Hellwater, Jaime cares for his son until he starts to resemble Jaime, Jaime leaves. It's hard to find any moments of real character development or complexity. Jaime's scenes with Willie are nice, but standard.

Compare this with Claire's story in this episode, which has about 1/10 of the time Jaime's story gets, yet it is so much more compelling. We've seen before the themes of chasing the ghosts of the past, false hope, and being frozen in time, and all of these themes come into play as Claire's search for Jaime fizzles out. Despite her desire to find Jaime, there are other considerations in her life that are affecting the search. She has a daughter and a career that cannot be put on hold forever. The story resonates because you remember the hope that Claire had at the end of season 2. It feels like Claire is so close to finding Jaime, but just when she gets close, the search stalls and her life in Boston begins to catch up with her. At the end of the episode she has to make the crushing choice to say goodbye to Jaime again, to give up and return to Boston.

It is reminiscent of the problem that this episode has. Claire's decision to give up the search is so character driven and portrays a depth of character that you don't get in Jaime's story. So much happens in Jaime's story that the emotional flashpoint of the story, Jaime's decision to leave Hellwater, just kind of happens. It's a missed opportunity because the conflict, the turmoil that such a decision would have entailed is ignored. In my opinion, the weakest episode in the first half of season 3.
5 out of 18 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed