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A former hostage negotiator takes a job retrieving people who are lost in a virtual reality program.


Mickey Fisher
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Series cast summary:
Sarah Shahi ...  Mara Kint 10 episodes, 2018
Dennis Haysbert ...  Charlie Ventana 10 episodes, 2018
Sendhil Ramamurthy ...  Paul Hammond 10 episodes, 2018
Jessica Lu ...  Alexis Barrett 10 episodes, 2018
Kathryn Morris ...  Monica Shaw 10 episodes, 2018
Kai Scott ...  Dylan 9 episodes, 2018
Christopher Redman ...  Ray McConley 5 episodes, 2018


This grounded new thriller follows Mara Kint, a former hostage negotiator and expert on human behavior, who became a college professor after facing an unimaginable personal tragedy. But when she's brought in to save ordinary people who have lost themselves in a highly advanced virtual-reality program in which you can literally live your dreams, she finds that in saving others, she may actually have discovered a way to save herself. Written by ahmetkozan

Plot Summary | Add Synopsis


Drama | Sci-Fi | Thriller


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Release Date:

30 May 2018 (USA) See more »

Also Known As:

Грёзы See more »

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Aspect Ratio:

16:9 HD
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Did You Know?


On the Reverie User Interface there were several Latin Words : Domum - Home, Redire - Return, Apertus - Open, Exitus - Exit. See more »

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User Reviews

Can't mix Sci-Fi and melodrama - by definition
3 September 2018 | by Zen-2-ZenSee all my reviews

I know that Spielberg signed his name under this and I can't hold it against him, who's going to produce Sci-Fi if he won't? But when he signs his name he also needs to exercise some actual creative control, slap that stupid guy and send him back to do a rewrite instead of being an absentee landlord. He made the same mistake with that nonsense show in which dinos "liked to eat nickel" by a "great mind" of that Braga creature.

Sci-Fi is a genre of ideas, genre for smart people. Melodrama is genre for stupid people to wipe their tears on stupid "oh so emmo" concoctions. They don't live in the same universe and if you mix that you lose all audience. Melodrama lovers can't understand even a single word of Sci-Fi and Sci-Fi lovers puke when they see sappy "designs". Every character has a "sad backstory" which stinks on PVC and formaldehyde beyond endurance and destroys what could have been a decent average show.

In this show every episode is a steaming pile of sap concoctions. What was supposed to be the Sci-Fi "part" was spent in 16 min of the 1st episode, 8 of the 2nd, 4 of the 3rd 2 of the 4th, 1 of the 5th. Then it flatlined but didn't awake as The OA :-)))

Seriously, if he wants to do something really good he needs to stand behind a show like "The OA". I'm sure Brit Marling wouldn't have refused extra budget :-) and a better distribution channel and he'd have something he'd be proud to show around instead of having to hide his name (literally in this case).

The sole bright spot of this show is Sarah Shahi. She's in that class that can make a wooden pole look alive at the other side of the frame but she can't revive brainded scripts - even gods have their limits :-))

So, Steve, be nice, next time, give Brit this budget and you can ask Sarah to join her latter :-) At least she'll get to practice some good non-verbal acting and to learn text that is worth something.

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