When a man flees France after the Nazi invasion, he assumes the identity of a dead author whose papers he possesses. Stuck in Marseilles, he meets a young woman desperate to find her missing husband - the very man he's impersonating.
Mula lives with her family in the country. Just before her daughter's First Holy Communion, Mula's long lost sister pays them a visit. The family believes in reconciliation, but Mula has her reasons to feel afraid of Kaja.
A busy attorney, worried that his anorexic daughter Olga might try to harm herself, since she's still grieving over her recently deceased mother, sends her to see a psychiatrist, Anna, who's dealing with her own loss in an unusual way.
DOVLATOV charts six days in the life of brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought preserve his own talent and decency with ... See full summary »
Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives.
Chela and Chiquita are both descended from wealthy families in Asunción and have been together for over 30 years. But recently, their financial situation has worsened and they begin selling... See full summary »
A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold ... See full summary »
Throughout "Mug," the images appear sharp in the middle, diffused at the edges, the focus mimicking the limits of a human eye. "What we wanted to do is a kind of deformation of the world; he's deformed, and the world around him is deformed," director Malgorzata Szumowska said of the film's unusual lensing, which she conceptualized with cinematographer and co-writer Michal Englert. [Variety] See more »
I can't understand how a movie using so cheap tearjerking tricks and superficial, false stereotypes attracts so much admiration. It would fit well as a manifesto made in 1960's by some political activists,but now, 50 years later? "evil village community vs poor frankenstein monster", again... really? This movie is blunt moral preaching, not much more.
8 of 25 people found this review helpful.
Was this review helpful to you?
| Report this