A busy attorney, worried that his anorexic daughter Olga might try to harm herself, since she's still grieving over her recently deceased mother, sends her to see a psychiatrist, Anna, who's dealing with her own loss in an unusual way.
Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives.
Chela and Chiquita are both descended from wealthy families in Asunción and have been together for over 30 years. But recently, their financial situation has worsened and they begin selling... See full summary »
Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and ... See full summary »
The film actions unfold in 1971, telling about the four days of life of famous writer Sergei Dovlatov. The film raises the eternal issue of the Russian and European culture - the issue of moral choice.
Aleksey German Jr.
Three Catholic priests meet to celebrate the anniversary of an event which could have taken their lives. Their experiences and motivations to serve as priests are extremely different, and soon each of them will have to face new challenges.
Mula lives with her family in the country. Just before her daughter's First Holy Communion, Mula's long lost sister pays them a visit. The family believes in reconciliation, but Mula has her reasons to feel afraid of Kaja.
Three actresses at different stages of their career. One from before the 1979 Islamic Revolution, one popular star of today known throughout the country and a young girl longing to attend a drama conservatory.
Fear, anger, sadness, joy, disgust, jealousy, shame. Adas Miauczynski returns to his childhood, when - like most of us - he had a big problem with naming the accompanying emotions. To ... See full summary »
Throughout "Mug," the images appear sharp in the middle, diffused at the edges, the focus mimicking the limits of a human eye. "What we wanted to do is a kind of deformation of the world; he's deformed, and the world around him is deformed," director Malgorzata Szumowska said of the film's unusual lensing, which she conceptualized with cinematographer and co-writer Michal Englert. [Variety] See more »
I can't understand how a movie using so cheap tearjerking tricks and superficial, false stereotypes attracts so much admiration. It would fit well as a manifesto made in 1960's by some political activists,but now, 50 years later? "evil village community vs poor frankenstein monster", again... really? This movie is blunt moral preaching, not much more.
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