In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The Other Side of the Wind, in itself a film about an aging film director trying to finish his last great movie.
In early 18th century England, a frail Queen Anne (Colman) occupies the throne and her close friend Lady Sarah (Weisz) governs the country in her stead. When a new servant Abigail (Stone) arrives, her charm endears her to Sarah.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
At 132 minutes, this is the longest film directed by the Coen Brothers. See more »
[after barely escaping being hung earlier and about to be hanged again, along with several other men, the cowboy sees a man sobbing in the noose next to him]
Cowboy (segment "Near Algodones"):
[the man looks at him, confused]
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How do you rate a movie that is very well done, but you just don't connect with it at all? I love the Coen brothers, and I watched this with an open heart. Not every Coen brothers movie knocks it out of the park, but all of them are at least smart and interesting. The same holds true for this one, though I'm sorry to say that I found myself bored throughout most of it.
Six stories is a lot to process in one sitting. The problem for me was that I would be watching one of the segments, trying to understand its significance or find something to appreciate story-wise, and then we moved on to the next tale.
There was nothing wrong with it and I would consider watching it again some time with a fresh perspective. This movie did seem to have a grasp on itself and I trust that the Coens knew what they were doing. It was very unique and beautifully shot, but I think this one ranks low on the Coen's filmography. And if this wasn't a Coen brothers movie, I would probably be more dismissive of it.
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