Martin is a fisherman without a boat, his brother Steven having re-purposed it as a tourist tripper. With their childhood home now a get-away for London money, Martin is displaced to the estate above the harbour.
Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.
As a couple goes on a trip to find their way back to each other, a sideshow artist and his shady entourage emerge from the woods, terrorizing them, luring them deeper into a maelstrom of psychological terror and humiliating slapstick.
In a small and isolated town, Simon Dubé dies in a car accident. The stunned townspeople are reluctant to discuss the circumstances of the tragedy. From that point on time seems to lose all meaning, and the days stretch on without end.
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. ... See full summary »
The shape of planet Earth is not perfectly spherical. It rather looks like a potato. Climate scientist Phoebe Phaidon starts with a teaching contract at the Institute for Cybernetics at ... See full summary »
A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is "just another market", and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn't make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue. Through 15 of the girl's humorous encounters, AREN'T YOU HAPPY? explores our post-modern society between precarity and marketing, serial monogamy and neo-spirituality, disillusionment and the pressure to be happy. Susanne Heinrich's debut film brings together pop and theory, feminism and humour, and gives you tons of quotes you'll want to see on advertising billboards in neon letters.