After the death of her father, a young Spanish woman discovers a partial letter. As she searches for the answers, she embarks on a journey that takes her back to Africa, where she unfolds the secrets of her family.
Fernando González Molina
Laura Alonso is a Spanish lawyer from Madrid who sets off to Democratic Republic of Congo (center of Africa) after having seen a photo where Sara, her younger sister, appears alive after ... See full summary »
In bustling downtown Madrid, a loud gunshot and two mysterious deaths trap a motley assortment of common urbanites in a decrepit central bar, while paranoia and suspicion force the terrified regulars to turn on each other.
Ten-year-old Nico receives a threatening letter and now his life is in danger. No one seems to believe him except one person that he doesn't know who has come to believe that fate itself wants the boy dead and tries to prevent it.
Late 19th century. Martinón is a man rude and of few words who lives in the high mountain, being the last person of a ghost town where he passes the days caring his house and hunting animals like deer and wolves. Alone and without a contact with other people along the year except when he downs to the nearest town to trade with the skins of the animals hunted, in one of these visits his friend Severino advise him about to have wife and create a family. Following the idea, Martinón makes a deal with Ubaldo, buying one of his daughters, Pascuala, to live with him in the mountains as his partner. While Pascuala tries to adapt herself to an environment hard and cold, Martinón patrols all days by the forest, wanting new preys to hunt. But Pascuala's health worse and finally dies, and Martinón realizes that the child she expected was of another man. Furious by the deceive, Martinón returns to the town claiming Ubaldo to recover the money and the skins sold. Unable to give him that he asks, ...Written by
Several references place the movie in the late 19th century and one reference places it in 1830. It is unlikely that there would be electric light bulbs hanging from the ceilings in a remote village in the Pyrenees in the late 19th century and certainly not in 1830. See more »
This film blew me away. Not only was the cinematography exceptional, the score lent itself perfectly to the stark yet beautiful surrounds. Mario Casas played the mountain man perfectly, an uncultured and uncouth brute who intimidates all who come before him. A man out of time living in tune with wild nature. The film evokes the sense that the modern world is a veil, and that nature is a brutal yet beautiful mistress, it resonated with me because modern people have forgotten what is necessary to survive within the natural world. His constant work, his constant prowling, he leaps off the screen part animal and part man. He could be the earliest homo sapien living in the Paleolithic.
Yet in his one true friend in the village, in his small acts of affection, in his final act of mercy, and in his rare emotions, the viewer glimpses something which is uniquely human, both of nature and set apart from it. Despite his wild and solitary nature, his true heart is revealed in subtle and clever ways. Both director and actor carry this off masterfully. The only reason I don't give this 10/10 is because I thought that even a mountain man would recognize that verbal communication and affection were important, a small oversight in the screenplay imo, but all in this was a thought provoking, and quite touching insight into the human condition. If you enjoy thought provoking, beautifully shot and acted films which evoke real feeling, I recommend this.
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