Within Brooklyn's ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood.
Menashe, a widower, lives and works within the Hasidic community of Borough Park, Brooklyn. Since his wife passed away a year before, he has been trying hard to regain custody of his nine-year-old son, Rieven. But the rabbi (and all the community behind him) will not hear of it unless he re-marries, which Menashe does not want, his first marriage having been very unhappy. Father and son get on well together, but can Menashe take care of Rieven properly? Not really for all his goodwill as he holds down a low-paid job as a grocery clerk that consumes too much of his efforts and energy. Always late, always in a hurry, he endeavors to improve himself though. But will his efforts be enough to convince the rabbi that he can be a good father without a wife at home?Written by
Got my attention with a vision I've never see before on an old story.
Really like the film.
I'm hoping that I got a pretty actuate perceptive on the Hasidic Jewish community. I'm aware of some aspects about how women are treated as a whole, which for me, made it more interesting that the movie tells a story about a widowed father trying to raise his son in a society that says he can't do it.You don't see that enough in movies in general. A man doing what he has to to be a man in order to raise his child alone, and I'm seeing it in the most rarest prospective.
It reminds me of Moonlight, it's not really a story I've never herd before but nobody tells the story from this unique angel.
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