Gauthier, a young journalist, learns through his mother that he's the illegitimate son of Guy Jamet, an aging French pop singer who was famous from the '60s to the '90s. As the old-time ... See full summary »
Having just been injured in a mugging, Eddy earned the sympathy and attention of his estranged family and gotten back on his feet. The same cannot be said for Ahmed whose life starts ... See full summary »
Olivier is fighting with his comrades at work against injustices, but one night his wife Laura leaves him and the kids on 9 and 6. He must now meet another struggle and face up to his new responsibilities. Can he find a new balance?
Lena Girard Voss
From his childhood in Poland to his adolescence in Nice to his years as a student in Paris and his tough training as a pilot during World War II, this tragi-comedy tells the romantic story ... See full summary »
June 1944, France is still under the German occupation. The writer and communist Robert Antelme, major figure of the Resistance, is arrested and deported. His young wife Marguerite Duras, writer and resistant, is torn by the anguish of not having news of her and her secret affair with her comrade Dyonis. She meets a French agent working at the Gestapo, Pierre Rabier, and, ready to do anything to find her husband, puts himself to the test of an ambiguous relationship with this troubled man, only to be able to help him. The end of the war and the return of the camps announce to Marguerite Duras the beginning of an unbearable wait, a slow and silent agony in the midst of the chaos of the Liberation of Paris.
As usual, I am at odds with the idiots who inhabit places like Hollywood, and in their ignorance dare to review films of which they have little real understanding and a lot of subjective brouhaha! The film itself is a masterpiece of film making, which unfolds, like Sunset Song, the Scottish film of a few years back, in a thickly imaged, slow-paced narrative, the tormenting loss of a young woman's husband, the destruction of her youthful dreams due to war.
We must remember that there is only one war, the war of the rich against the poor, the haves against the have-nots, the propertied against the vulnerable. The woman here is not simply any woman, of course, but Marguerite Duras, who was becoming on of the foremost novelists and screenwriters of the post war era, played to the hilt by Mlle Thierry who with this role comes into her own as of the foremost actresses of her generation. It's as good as Oldham's Churchill, that good.
The detail of the film, not easy to achieve, is impeccable, every frame has been thought thru to the max. They deserved the Cannes for film editing with this one at the least. There is one frame, I really don't know how they achieved it, but I felt as if I was looking through a window in metal frame door, and not at the flat screen. I'd never seen anything quite like that. Again, at the end of one frame we hear what sounds like heavy breathing or crying, in the following frame we find that this is the sound of Duras' impassioned pen on the page. Utterly brilliant stuff.
They had a great source and made a classic film with too many subtleties to recount here, especially to fans of an overpriced, horribly acted and written films like Bladerunner 2049 which are simply hyped junk with dependably high ratings on popular internet movie sites where folks speak depraved Hollywoodize.
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