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The Post (2017)

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A cover-up that spanned four U.S. Presidents pushed the country's first female newspaper publisher and a hard-driving editor to join an unprecedented battle between the press and the government.

Director:

Steven Spielberg
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Popularity
343 ( 95)
Nominated for 2 Oscars. Another 18 wins & 98 nominations. See more awards »

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Cast

Cast overview, first billed only:
Meryl Streep ... Kay Graham
Tom Hanks ... Ben Bradlee
Sarah Paulson ... Tony Bradlee
Bob Odenkirk ... Ben Bagdikian
Tracy Letts ... Fritz Beebe
Bradley Whitford ... Arthur Parsons
Bruce Greenwood ... Robert McNamara
Matthew Rhys ... Daniel Ellsberg
Alison Brie ... Lally Graham
Carrie Coon ... Meg Greenfield
Jesse Plemons ... Roger Clark
David Cross ... Howard Simons
Zach Woods ... Anthony Essaye
Pat Healy ... Phil Geyelin
John Rue ... Gene Patterson
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Storyline

When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

Truth be told


Motion Picture Rating (MPAA)

Rated PG-13 for language and brief war violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA | UK

Language:

English

Release Date:

12 January 2018 (USA) See more »

Also Known As:

The Post See more »

Filming Locations:

White Plains, New York, USA See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$526,011, 24 December 2017, Limited Release

Gross USA:

$81,903,458, 17 May 2018

Cumulative Worldwide Gross:

$174,496,433, 6 May 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Surround 7.1 | SDDS | DTS (DTS: X)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Ben Bradlee drives a Fiat 128 twice during the movie. See more »

Goofs

The informational card under the dial of the payphone used by Ben Bagdikian to call Ellsberg includes instructions on using a calling card to make a phone call. Calling card technology did not exist until the mid-1970s, and did not gain widespread use until years later. See more »

Quotes

Roger Clark: If the government wins and we're convicted, the Washington Post as we know it will cease to exist.
Ben Bradlee: Well, if we live in a world where the government could tell us what we can and cannot print, then the Washington Post as we know it has already ceased to exist.
See more »

Crazy Credits

The 20th Century Fox logo is shown, but we do not hear the usual fanfare. Instead, we just hear the sound effects of the action in Vietnam which leads into the first scene of the film. See more »

Connections

References All the President's Men (1976) See more »

Soundtracks

Love Walked In
Written by George Gershwin and Ira Gershwin
Performed by The Peter Duchin Orchestra
Arranged by Stanley Schwartz
Produced by Barry Lazarowitz
See more »

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User Reviews

 
Heavy-handed
11 January 2018 | by daniel-982See all my reviews

Incredible cast, right down to the small parts. But the film is heavy-handed to the point of ham-fisted, from the opening scene onwards. Mr Spielberg needed to have greater faith in his audience, and let the moments in the script breathe, rather than cutting to yet another brief shot of expository detail. The film is trying to be a kind of parable of feminist empowerment -- Katharine Graham finally comes into her own and she receives admiring and supportive glances from women all over! -- without realising that Katharine Graham was, from the start, smart and tough as hell. This could have been such a great film, if Spielberg had only trusted his writers, his audience, and his cast.


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