| Cast overview, first billed only: | |||
| Meryl Streep | ... | Kay Graham | |
| Tom Hanks | ... | Ben Bradlee | |
| Sarah Paulson | ... | Tony Bradlee | |
| Bob Odenkirk | ... | Ben Bagdikian | |
| Tracy Letts | ... | Fritz Beebe | |
| Bradley Whitford | ... | Arthur Parsons | |
| Bruce Greenwood | ... | Robert McNamara | |
| Matthew Rhys | ... | Daniel Ellsberg | |
| Alison Brie | ... | Lally Graham | |
| Carrie Coon | ... | Meg Greenfield | |
| Jesse Plemons | ... | Roger Clark | |
| David Cross | ... | Howard Simons | |
| Zach Woods | ... | Anthony Essaye | |
| Pat Healy | ... | Phil Geyelin | |
| John Rue | ... | Gene Patterson | |
When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance. Written by Kenneth Chisholm (kchishol@rogers.com)
The Post is Political Hollywood at its propaganda best. They're all there, the Press, Streep, Spielberg, the Academy, all shouting about the good deeds done by the press in the past (they virtually had to go back decades to Watergate and rehash a new take on 'All the Presidents Men'!) In the present climate, it could hardly be a more obvious attempt to squash the fact that the modern press has become a 'Fake' sham (and that President Trump remains fair game). Time to get over it - stop attempting to convince the voters that a possible corrupt system should be back in power - simply because it serves others selfish purposes. It's also a big push for the Washington Post, who only picked up on the groundbreaking hard work (already done ahead of them) by the New York Times. With the Post even using the same N.Y.T. informants leaked files.
The Awards given for this rather ordinary movie need explaining - Streep was simply Streep, Hanks has done far better work (without honours) beforehand. Spielberg was in his usual by-the-numbers mode and turned in an overlong (often boring movie) consisting of a string of round table talkfests (ie; sometimes small table, other times a larger table or a typical party scene) nothing special here. In fact, it all looks too obviously like an attempt to fool some of the people all of the time. Maybe it's time to move on and consider working together for the betterment of all.....
As James Goodale said on PBS News Hour during a summary of the movie:- with words along the lines of; "If doing a movie now (about newspapers) you want to be sure you're being authentic". Very good advice! Another insightful comment came from; Matt Bobkin, writing for Exclaim!, he gave the film a 6 out of 10 score, and went on to say; the film "has all the makings of an awards season hit, but is too calculated to reflect today's ragged, tenuous socio-political climate." Touché Matt..