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The Post (2017)

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A cover-up that spanned four U.S. Presidents pushed the country's first female newspaper publisher and a hard-driving editor to join an unprecedented battle between the press and the government.

Director:

Steven Spielberg
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427 ( 35)
Nominated for 2 Oscars. Another 18 wins & 98 nominations. See more awards »

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Cast

Cast overview, first billed only:
Meryl Streep ... Kay Graham
Tom Hanks ... Ben Bradlee
Sarah Paulson ... Tony Bradlee
Bob Odenkirk ... Ben Bagdikian
Tracy Letts ... Fritz Beebe
Bradley Whitford ... Arthur Parsons
Bruce Greenwood ... Robert McNamara
Matthew Rhys ... Daniel Ellsberg
Alison Brie ... Lally Graham
Carrie Coon ... Meg Greenfield
Jesse Plemons ... Roger Clark
David Cross ... Howard Simons
Zach Woods ... Anthony Essaye
Pat Healy ... Phil Geyelin
John Rue ... Gene Patterson
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Storyline

When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

Truth be told


Motion Picture Rating (MPAA)

Rated PG-13 for language and brief war violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

USA | UK

Language:

English

Release Date:

12 January 2018 (USA) See more »

Also Known As:

The Post See more »

Filming Locations:

White Plains, New York, USA See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$526,011, 24 December 2017, Limited Release

Gross USA:

$81,903,458, 17 May 2018

Cumulative Worldwide Gross:

$174,496,433, 6 May 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Surround 7.1 | SDDS | DTS (DTS: X)

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In real life Daniel Ellsberg lent his name to a paradox in decision sciences that he popularized. Termed the Ellsberg paradox, it demonstrates that human beings have an aversion to ambiguity and prefer a known devil to an unknown angel thus violating certain assumptions of rational decision making theory. See more »

Goofs

In one scene, Katharine Graham glances at a photo of her late husband on a bookshelf, and next to the photo is a copy of William Barry Furlong's 1974 book "Season with Solti." See more »

Quotes

Tony Bradlee: But Kay. Kay is in a position she never thought she'd be in, a position I'm sure plenty of people don't think she should have. When you're told time and time again that you're not good enough, that your opinion doesn't matter as much. When they don't just look past you, when, to them, you're not even there, when that's been your reality for so long, it's hard not to let yourself think it's true. So to make this decision, to risk her fortune and the company that's been her entire life, well, I ...
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Crazy Credits

The 20th Century Fox logo is shown, but we do not hear the usual fanfare. Instead, we just hear the sound effects of the action in Vietnam which leads into the first scene of the film. See more »

Connections

References The Blob (1958) See more »

Soundtracks

Put on a Happy Face
Written by Charles Strouse and Lee Adams
Performed by The Peter Duchin Orchestra
Arranged by Stanley Schwartz
Produced by Barry Lazarowitz
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User Reviews

 
a true story showing why the media is despised by despots
26 January 2018 | by CineMuseFilmsSee all my reviews

The term 'fourth estate' was coined in 1841 by philosopher Thomas Carlyle when he said that the Reporter's Gallery was far more important than the 'three estates' of parliament. This titbit of history tells us the battle lines over 'fake news' are as old as 'the press' itself. It is also the context for The Post (2017), a dramatic thriller and civics lesson about the media's role in checking government power. The Post shows why the media is despised by despots and is thus essential viewing for anyone wanting to better understand today's shambolic attacks on the media.

The facts of the story became world news. By the mid-1960s, most Americans were losing faith in the nation's prospects of an honourable conclusion to three decades of conflict in Vietnam. While various Presidents told Americans that success was assured, the top-secret Pentagon Papers revealed that national policy was based on a litany of lies. Former military analyst Daniel Ellsberg notoriously leaked the Papers to the New York Times, but publication was suppressed by court order. The rival Washington Post acquired a copy and had to decide whether to publish and risk the paper's future, or not publish and lose the respect of its journalists.

A dramatic high-tension wire is strung between Post heiress and socialite Katherine Graham (Meryl Streep) and her hard-core news editor Ben Bradlee (Tom Hanks). They are polar opposites: she is a darling of the establishment, uncertain of her ability and fearful of losing not only the business but her social standing. Bradlee is a truth-seeking journalist who mistrusts lawyers and would publish at any cost. Described as "the most highly classified documents of the war", the President commands an army of lawyers threatening Armageddon if the paper goes to print. The film's period set design is brilliant: the reporter's room is a galley of buzzing typewriters and the printing press a mechanical maze of oiled steel grinding out papers in a frantic atmosphere of unrelenting deadlines. Against this background, the pre-feminist newspaper owner must make a decision that could bring down a President. When the choice is made, the Post must then face presidential retaliation via the Supreme Court.

This story requires no narrative embellishment, nor does it need dramatic performances to convey the high-stakes of an extraordinary moment. The casting of stars and support is excellent. Streep and Hanks give their most understated performances of recent times; no other contemporary actors could have filled these roles with their authority and authenticity. Spielberg's direction keeps the events unfolding at a brisk pace to leverage the tension curve upwards while sticking close to the facts. This is masterful storytelling based on an important event that resonates into the modern era.


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