In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
A TV personality needs a break from her own life, so she hops into a car and drives to a small town mountain retreat. On her way there, a blizzard veers her off the road and she crashes. ... See full summary »
In the If You Give a Mouse a Cookie series, based on the beloved books by Laura Numeroff and Felicia Bond, we get to know Mouse, Pig, Moose, Dog and Cat and their favorite humans. When ... See full summary »
Roger Craig Smith,
A retired police officer is on a fresh career path as he rises to the challenge of being a newly single dad. His kids are grateful to him for making sure they're OK but decide it's time for him to get out of the house, so they turn to Vanessa (Leah Remini), his former police partner, for help.
When American military analyst, Daniel Ellsberg, realizes to his disgust the depths of the US government's deceptions about the futility of the Vietnam War, he takes action by copying top-secret documents that would become the Pentagon Papers. Later, Washington Post owner, Kay Graham, is still adjusting to taking over her late husband's business when editor Ben Bradlee discovers the New York Times has scooped them with an explosive expose on those papers. Determined to compete, Post reporters find Ellsberg himself and a complete copy of those papers. However, the Post's plans to publish their findings are put in jeopardy with a Federal restraining order that could get them all indicted for Contempt. Now, Kay Graham must decide whether to back down for the safety of her paper or publish and fight for the Freedom of the Press. In doing so, Graham and her staff join a fight that would have America's democratic ideals in the balance.Written by
Kenneth Chisholm (firstname.lastname@example.org)
The composing room of The Washington Post where the type was set with Linotype machines was located on the fourth floor of the building on L Street. The room was brightly lit like the newsroom. It was not the dark basement-like setting depicted in the film. See more »
[to Robert McNamara]
I'm here asking your advice, Bob, not your permission.
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The 20th Century Fox logo is shown, but we do not hear the usual fanfare. Instead, we just hear the sound effects of the action in Vietnam which leads into the first scene of the film. See more »
Painfully overacted. Streep made it annoyingly obvious that we were watching an actor. Her signature snootiness and dragged out inflections, pregnant pauses, hitched sentences, glasses fidgetting, head-in-hands dismay, stare-downs, etc etc etc...ugh, ugh, ugh....all contrived. In dusting off all her trademark-isms, she sinks the ship.
Dialogue so dull it can't be resurrected...not even by Hanks.
Even the suspenseful music felt contrived.
A movie trying so hard to be important....thinking it was making a big difference....taking itself so seriously that it was almost humorous.
Can't blame the film technique because ....well...Bob Odenkirk. He overcame all the bad cards he was dealt and rose above the abysmal film emerging as the best performer in the group.
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