7.9/10
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15 user 21 critic
A Pixar short about a lost-and-found box and the unseen monster within.

Director:

Dave Mullins

Writer:

Dave Mullins
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Nominated for 1 Oscar. Another 2 nominations. See more awards »

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Storyline

A Pixar short about a lost-and-found box and the unseen monster within.

Plot Summary | Add Synopsis

Plot Keywords:

cgi animation | See All (1) »


Certificate:

G | See all certifications »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

16 June 2017 (USA) See more »

Also Known As:

LOU See more »

Company Credits

Production Co:

Pixar Animation Studios See more »
Show more on IMDbPro »

Technical Specs

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Shown in advance of Cars 3 (2017). See more »

Crazy Credits

In a post-credits scene, "For Dad" in the playground floor. See more »

Connections

Featured in The Oscar Nominated Short Films 2018: Animation (2018) See more »

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User Reviews

 
How to make Lost and Found captivating in 7 short minutes
23 July 2017 | by TheLittleSongbirdSee all my reviews

Being a big fan of Pixar since forever, both their feature films and short films, of course expectations for 'LOU' were high. Luckily, those high expectations were not just met, in some ways they were exceeded.

'LOU' is not quite among Pixar's best short films like 'Presto', 'One Man Band', 'Knick Knack', 'Piper' and 'Geri's Game'. However, it is one of the biggest examples of the short film being much better than the feature film. Didn't care for 'Cars 3', finding that despite the great animation that it never really got into gear and was highly suggestive of the 'Cars' franchise running out of gas, but loved 'LOU' and that it alone is worth the admission. The premise could have been potentially goofy, but was a long way from that. It's not exactly unique but is incredibly well handled that that is insignificant.

The animation is fantastic, one of Pixar's best-looking later short films and perhaps overall, some of its fluidity, colour and detail being among Pixar's overall best perhaps. Which is huge praise, considering that even in their lesser efforts like 'The Good Dinosaur' and 'Cars 2 and 3' for features and 'Mater and the Gaslight' and 'Lava' for shorts (this said, as blasphemous as this may sound, 'Cars 3' is the only one that didn't do much for me) the animation is always one of the best assets. The music score has whimsical energy and a suitably understated quality at points, not using a repetitive song to make an impression and is never ham-fisted or intrusive.

What stood out about 'LOU' was its mood, how one really connects with it and how well it did with its idea. Story-wise it is slight and not much of one, but that didn't matter too much and the short duration flies by and makes one wish for more actually. Watching 'LOU' was such an uplifting and heartfelt experience for me, parts are amusing but not in an overt way and it is hard not to be touched too. The mix of gentle (and in other efforts of theirs riotous) humour and heart-wrenching pathos was always a strength with Pixar, 'LOU' is not an exception by any stretch of the imagination.

It also has charm by the bucket-loads and it was incredibly cute without being too sickly or sugary. It even prompts some thought-provoking questions and thoughts. The characters are appealing and engage you, even the bully (which usually would be an impossible feat).

Overall, captivating and 7 short minutes of joy and beauty. 9/10 Bethany Cox


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