Rip Tide (2017)

Teenage model Cora (played by Disney star Debby Ryan) is the daughter of the head of a major modelling agency and has always worked hard to live up to the expectations of her mother (... See full summary »

Director:

Rhiannon Bannenberg

Writer:

Georgia Harrison

Stars:

Debby Ryan, Genevieve Hegney, Andrew Creer

1 nomination.

Cast

Cast overview, first billed only:
Debby Ryan	...	Cora Hamilton
Genevieve Hegney	...	Margot
Andrew Creer	...	Tom
Naomi Sequeira	...	Chicka
Valerie Bader	...	Bee
Aaron Jeffery	...	Owen
Jeremy Lindsay Taylor	...	Caleb
Danielle Carter	...	Sofia
Marcus Graham	...	Farriet
Kimie Tsukakoshi	...	Lily
Sophie Gray	...	Demi
Avani Farriss	...	Young Cora
Rebecca Montalti	...	Phoebe
Suzanne Dudley	...	Judith
Georgina Symes	...	Morgana Fezzari

Storyline

Teenage model Cora (played by Disney star Debby Ryan) is the daughter of the head of a major modelling agency and has always worked hard to live up to the expectations of her mother (Danielle Carter). When a damaging video of Cora goes viral she departs for Australia to spend time with her aunt Margot (Genevieve Hegney). Margot is also facing her own difficulties and their time together becomes a learning experience for them both.

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Plot Keywords:

male objectification | model | teenager | teenage girl | bare chested male | 

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Taglines:

She's a fashionista out of water...but she's about to get back in the swim of things.

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Genres:

Family

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Certificate:

Unrated

Details

Country:

Australia United Arab Emirates

Language:

English

Release Date:

3 October 2017 (USA)

Also Known As:

Segui l'onda

Filming Locations:

Kiama, New South Wales, Australia

Box Office

Budget:

AUD 3,400,000 (estimated)

Company Credits

Production Co:

The Steve Jaggi Company, Head Gear Films, Kreo Films FZ

Technical Specs

Runtime:

85 min

Color:

Color Color (ACES)

Did You Know?

Trivia

The "Tea Tree Beach" sign seen in the film when Cora arrives in Australia is fake, it was created by a local high school's Wood Technology class

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Goofs

When Margot is first driving Cora to Tea Tree Beach, a brief aerial shot shows the vehicle traveling on the right side of the road, not the left where it should be in Australia.

User Reviews

Beautiful moments weakened by underdeveloped story and rushed production

For me, "Riptide," is a Stephen Cannell TV show from the 80s. Yes, I knew going into "Rip Tide" there would be no Sikorsky, robot, or detective story. While that was slightly disappointing for me, I mention this so you know something about the author of this review. Why was I watching this movie? I like smaller films and independent filmmakers.

Things I liked: Australia. The New South Wales locations were stunningly beautiful. I can't mention the natural beauty of the land without also giving a nod to the composition and cinematography that captured it. This aspect of the movie was very satisfying. The location acted as a perfect contrast for NYC and the ideal place where Cora could reconnect with her extended family and her inner self longing to break free.

One of the best sequences in the film was when Cora is coaxed into the ocean by Chicka. The experience for Cora is depicted as baptism. She goes down into the water, and this begins her cleansing from the pain and filth of her trouble in NYC. This is the point at which Cora commits herself to the transformation she desired to accomplish in setting out for Australia. Australia is the land "down under" and Cora goes down under the water to become a new person. She is turning her world upside down, and this foreshadows what will transpire later in the story. When Cora receives the call to return to NYC, all the inner healing she accomplished is thrown into reverse and culminates in a "reverse baptism," going backwards up through the water and out into her old life. To me, this was an example of the pinnacle of the film's artistry, giving us a view into what is happening inside Cora just with the images alone. Very well done, I think.

I really liked the characters played by Valerie Bader and Naomi Sequeira. Bee, Chicka, and Tom are especially important roles because they have little pretense. This is exactly opposite to the catty, backstabbing crowd Cora is more familiar with at home. Ultimately, this is a "catalyst" character story. Cora, Margot, Bee, and Tom all have inner pain to be worked through. Cora will be the catalyst for the Australian group's pain and the Australian group will be the catalyst for Cora's struggle. Once Cora appears in Australia, the fuse it lit, and the mutual emotional reactions begin with hopefully good results by the end. That's the general idea for the story.

Criticisms: Story and character development. I'm sure the pressure to get everything done on time and within budget was just crushing. In fact, the whole production feels pressured. Many of the key moments in the film should have been refined more and re-shot. Miss Ryan also needed more directorial guidance for her performance in key scenes. Miss Ryan is a remarkable and capable young actor working to extend beyond comedy into drama. That's not easy to do, and it doesn't help if the entire production is stressed and compressed. Screen Canberra claims the movie was shot in 18 days and took six months total from money drop to debuting at Sydney film festival. Impressive, but I think the schedule may also have caused problems in the product.

Furthermore, the story was underdeveloped and did not explore the emotional journeys of the characters in significant depth. As a result, the explosive moment between Cora and Margot was more cringe-inducing than emotionally fulfilling. The whole movie is a character story, but the emotional aspects of the characters' problems and pain are only allowed to create major conflict in a few places. So, the rest of the time the action is listless, unfocused, and dysfunctional. This was really disappointing to me. The story should have developed the baptismal idea further and given us Cora's wilderness journey since a time of suffering/wandering must always follow baptism. The call to return to NYC could then be cast as a temptation to be avoided rather than the reversal it was portrayed to be.