A drama about the life and career of actress Barbara Windsor.A drama about the life and career of actress Barbara Windsor.A drama about the life and career of actress Barbara Windsor.
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Samantha Spiro absolutely stole the movie, playing Babs looking back over her life, she played the part so well and looked like her so much you would be mistaken for thinking it was Babs who also played herself in a cameo role.
Another person wrote they felt the back flashes with her talking to her father were tedious, they felt the director had gone of track with the story line. I on the other hand felt it gave a better understanding to where Babs was emotionally within herself as a woman, person, actress.
Not forgetting she played herself within this film and it was about her life, i doubt very much she wouldn't allow something she felt did not give people a insight into her true self (at one point having a dig at her own sexual conquests).
I felt the actress who played her as a young actress was all wrong, unlike Samantha Spiro she looked nothing like her. In her heyday Babs was a stunning Goddess, even to me as a child at the time i first saw Carry on movies. Unfortunately Jaime Winstone who played her was just not right for the role, looked nothing like her and i don't wish to sound rude but if you saw Babs in Carry on Spying she was skinny as hell with a big chest whereas Jaime Winstone was big all over. And unlike Babs she just couldn't sing, i wish they had dubbed Babs singing over hers as she does sing at the end and a hell of a lot better.
As mentioned before, we all grew up with her in Carry on Movies yet only about 2 minutes of the whole movie covered it, nothing about her relationship with Sid James or her long life friendship with Kenneth Williams.
The film just ends with the last 25 years of her life missing, all we get is a footnote at the end which to me is poor quality writing about a national treasure who is loved by millions of people.
The only thing i felt heart warming about the footnote is her marriage to her partner Scott is still going strong, at last she has a man in her life she can depend on.
Another person wrote they felt the back flashes with her talking to her father were tedious, they felt the director had gone of track with the story line. I on the other hand felt it gave a better understanding to where Babs was emotionally within herself as a woman, person, actress.
Not forgetting she played herself within this film and it was about her life, i doubt very much she wouldn't allow something she felt did not give people a insight into her true self (at one point having a dig at her own sexual conquests).
I felt the actress who played her as a young actress was all wrong, unlike Samantha Spiro she looked nothing like her. In her heyday Babs was a stunning Goddess, even to me as a child at the time i first saw Carry on movies. Unfortunately Jaime Winstone who played her was just not right for the role, looked nothing like her and i don't wish to sound rude but if you saw Babs in Carry on Spying she was skinny as hell with a big chest whereas Jaime Winstone was big all over. And unlike Babs she just couldn't sing, i wish they had dubbed Babs singing over hers as she does sing at the end and a hell of a lot better.
As mentioned before, we all grew up with her in Carry on Movies yet only about 2 minutes of the whole movie covered it, nothing about her relationship with Sid James or her long life friendship with Kenneth Williams.
The film just ends with the last 25 years of her life missing, all we get is a footnote at the end which to me is poor quality writing about a national treasure who is loved by millions of people.
The only thing i felt heart warming about the footnote is her marriage to her partner Scott is still going strong, at last she has a man in her life she can depend on.
I am a huge fan of the wonderful Barbara Windsor, let's face it she is a national treasure, which of us hasn't loved her in a Carry on film or EastEnders etc.
The BBC do dramas so well as a rule, particularly historicals, but this one seemed a little hit and miss. Barbara has a fascinating story to tell, but the way the story was told seemed clunky, the constant flashbacks of her Dad were overdone, I think it could have been told in a far more effective way.
I enjoyed the performances for the most part, the young Honour Kneafsey did a fine job as the young Babs, but Jaime Winstone somehow felt wrong in the part, she's a fine actress one I'm normally a big fan of but the drama at this point seemed to jar. The highlight for me had to be the introduction of Samantha Spiro, she's a hugely underrated and talented actress, and did capture the sparkle and mannerisms of our beloved Babs.
Overall it was good, and certainly watchable, I just feel that for someone so special and deserved so much more.
6/10.
The BBC do dramas so well as a rule, particularly historicals, but this one seemed a little hit and miss. Barbara has a fascinating story to tell, but the way the story was told seemed clunky, the constant flashbacks of her Dad were overdone, I think it could have been told in a far more effective way.
I enjoyed the performances for the most part, the young Honour Kneafsey did a fine job as the young Babs, but Jaime Winstone somehow felt wrong in the part, she's a fine actress one I'm normally a big fan of but the drama at this point seemed to jar. The highlight for me had to be the introduction of Samantha Spiro, she's a hugely underrated and talented actress, and did capture the sparkle and mannerisms of our beloved Babs.
Overall it was good, and certainly watchable, I just feel that for someone so special and deserved so much more.
6/10.
I was looking forward to this, but what a massive disappointment. The constant jumping back and forth completely destroyed any flow. Jaime Winstone was completely miscast. She's lovely enough, but she's not Babs, and she sounds like a rabbit being put through a mangle when she's singing... totally unpleasant.
There were plus points. Samantha Spiro was excellent, as was Honor Kneafsey... and Robin Sebastian was again fabulous as Kenneth Williams.
The BBC have produced some excellent stuff, but this simply wasn't up to snuff. In terms of Carry On films, this was more Carry on Abroad than Carry on Camping.
There were plus points. Samantha Spiro was excellent, as was Honor Kneafsey... and Robin Sebastian was again fabulous as Kenneth Williams.
The BBC have produced some excellent stuff, but this simply wasn't up to snuff. In terms of Carry On films, this was more Carry on Abroad than Carry on Camping.
Not a good bio or an good entertainment, just a trite whitewash of the main character. Not worth watching, and frankly the style was lame with constant conversations with father etc in flashbacks.
Barbara Windsor may had a complex relationship with her father but I am sure it was not like it was presented in this biographical drama.
Tony Jordan, a long time writer for Eastenders wrote this biopic which unlike Miss Windsor's chest felt a bit flat.
The framing device of an older Babs (Samantha Spiro) talking to her father about various aspects of her life is not new. It just did not work for me and made the drama episodic as we jumped around various stages of her life.
We see the child Barbara starting out on the stage with the help of her mother who disappears later on. The younger Babs (Jaime Winstone) realizes she has the assets to turn men's heads. We see her having a relationship with the crooked Ronnie Knight, both had affairs, she also had abortions. Barbara tries to break into serious acting with the Joan Littlewood theatre workshop. For a time she enjoyed success in the New York stage and even attracted the attention of Warren Beatty.
The Carry On years were quickly glossed over and we see an older Barbara Windsor still trying to understand her relationship with her father. Now with a toyboy and doing stage work for a pittance, she does not know it yet, but there is a juicy role in Eastenders just round the corner which will brighten her career and fortunes.
At one point even the real Barbara Windsor turns up which confuses matter further. I think this film just needed a straightforward narrative that was bubbly as the subject in her various happier times.
Tony Jordan, a long time writer for Eastenders wrote this biopic which unlike Miss Windsor's chest felt a bit flat.
The framing device of an older Babs (Samantha Spiro) talking to her father about various aspects of her life is not new. It just did not work for me and made the drama episodic as we jumped around various stages of her life.
We see the child Barbara starting out on the stage with the help of her mother who disappears later on. The younger Babs (Jaime Winstone) realizes she has the assets to turn men's heads. We see her having a relationship with the crooked Ronnie Knight, both had affairs, she also had abortions. Barbara tries to break into serious acting with the Joan Littlewood theatre workshop. For a time she enjoyed success in the New York stage and even attracted the attention of Warren Beatty.
The Carry On years were quickly glossed over and we see an older Barbara Windsor still trying to understand her relationship with her father. Now with a toyboy and doing stage work for a pittance, she does not know it yet, but there is a juicy role in Eastenders just round the corner which will brighten her career and fortunes.
At one point even the real Barbara Windsor turns up which confuses matter further. I think this film just needed a straightforward narrative that was bubbly as the subject in her various happier times.
Storyline
Did you know
- TriviaSamantha Spiro first played Barbara Windsor in 1998 at the Royal National Theatre in Terry Johnson's "Cleo, Camping, Emmanuelle and Dick". When Johnson adapted the play for television, as Cor, Blimey! (2000), Spiro reprised the role.
- Alternate versionsWhen shown on UK commercial TV (e.g. Drama, ITV etc) the line (first time on set with Kenneth Williams): "Don't you talk to me like that [with Fenella Fielding's minge-hair stuck around your chops,] 'cos I won't bloody stand for it!", the part in parentheses is cut. Williams' subsequent amusement at her vulgarity makes much less sense.
- ConnectionsFeatures Sparrows Can't Sing (1963)
Details
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.78 : 1
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