A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold ... See full summary »
Australian western set on the Northern Territory frontier in the 1920s, where justice itself is put on trial when an aged Aboriginal farmhand shoots a white man in self-defense and goes on the run as a posse gathers to hunt him down.
Luka Magdeline Cole,
Brady Blackburn, a rodeo bronc rider with some renown, learned everything he knows about horses and riding from his parents, Wayne and the now deceased Mari Blackburn. Brady is recovering from a fall off a bronking horse in a rodeo, the most serious of the injuries being a skull fracture which required a metal plate being inserted into his head. Including checking himself out of the hospital earlier than advised, Brady is determined to get back up onto the literal and proverbial horse as quickly as possible as being a cowboy is all he knows. But deep in his heart he knows that returning to the rodeo in particular is something that is probably not in the cards without increased risks, which is eventually confirmed by his doctor who tells him that he cannot sustain another serious head injury without some major consequence. He does not even want his friends and family to treat him with kid gloves in being able to do any of those physical activities which are part and parcel for him of ...Written by
The joy of doing what you love burns away any pain. For Brady, a rodeo rider who just emerged from a coma, the joy and pain come in equal measure. Brady is told not to ride again. "Play the cards you are dealt," says his father "let it go." Yet Brady's purpose in life is hitched to riding horses. Also, living in a trailer and eating rabbit soup is not the stuff of champions. In the starlight, around a campfire with friends, listening to his little sister sing simple yet beautiful songs, and in dreams, Brady ponders his next moves.
This authentic and heart-rending film integrates the real lives of the actors into the story. It is balanced in its portrayal and rightly does not cast judgment. The cinematography is up close and intimate so that emotions are revealed in faces and eyes (horse and human) as much as words. While the director, actors and horses are just starting out in their film making careers and it shows, there is power and magic in how genuine they are in their portrayals. In a sense, they have been preparing for this film their entire lives. Human nature and the real West are on display here, and there is as much beauty in that as there is in the prairie sunrise. Seen at the Toronto International Film Festival.
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