Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.
Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.
The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
In this crime drama, four bright and well-off college students in Kentucky plot to steal some rare books from their university's Special Collections Library in a misguided quest for personal glory. Based on the story, the film includes interviews with the foursome who attempted the bizarre heist. Starring Barry Keoghan, Evan Peters, Blake Jenner, Jared Abrahamson and Ann Dowd.
'American Animals' is, formally, a difficult film to describe. It retains the structure of the heist films that came before it, even referencing them from time to time, cementing it as a disciple of those pioneers. Where the film stands out, however, is in the way it tells its story, in a non-linear fashion that seamlessly blends between the reality and fiction of this true-crime narrative. Whereas documentaries often use dramatisations to help visually realise their subject matter, here, these dramatisations take centre stage, supported by the painfully real inflections of those who were actually involved in this 2004 heist. This conflux, use to provide commentary, as well as irregular but welcome flair within the recreated narrative, help to differentiate 'American Animals' from other films of its pedigree. Furthermore, these aforementioned recreations feature standout performances from the likes of Evan Peters and Barry Keoghan, further distancing Layton's film from the somewhat shabby predecessors that deploy similar techniques. On a technical level, the film is fairly regular, lacking inspiration with its cinematography which arguably helps ground the events which it portrays. The score nicely compliments the action on-screen, effectively building upon the tension set up by the visuals. The film can, however, drag in places, particularly during the first act, whereupon it hits familiar story beats that could have been addressed quicker, the time taken with the set-up juxtaposing the otherwise revolutionary approach the film takes to the heist formula. Otherwise, the third act is nothing short of thrilling, with the conclusion proving a melancholic reminder of the reality of these events, and the impact they can carry, with its audacity to allow the audience to decipher the difference between what is true and false. 'American Animals' is a heist film through and through, but differentiates itself from others through the methods by which its tells its story and provides connections between the characters and audience. Whilst the pacing can prove problematic at times, persistence ultimately proves rewarding. Should Layton continue to adopt this unique approach to other genres, he may become a standout in years to come.
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