Internationally renowned director Margarethe von Trotta takes a closer look at Bergman's life and work and explores his film legacy with Bergman's closest collaborators, both in front and ...
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Journeying through 1957, the year Bergman released two of his most acclaimed features (The Seventh Seal and Wild Strawberries), made a TV film and directed four plays for theatre, Magnusson... See full summary »
A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home. But he is an emotionally scarred man, a Jewish survivor... See full summary »
Max von Sydow
A shy and insecure delivery truck driver accidentally arrives on the scene of a major crime and happens to pick up two bags of cash and hides them in his truck. Though an interrogation of ... See full summary »
Internationally renowned director Margarethe von Trotta takes a closer look at Bergman's life and work and explores his film legacy with Bergman's closest collaborators, both in front and behind the camera, as well as a new generation of filmmakers. The documentary presents key scenes, recurring themes in his films and his life, and journeys to the places at the center of Bergman's creative achievement and the focal points of his life such as the Royal Dramatic Theatre in Stockholm, locations and landscapes from his masterpieces, and the stations from his career in Sweden, France and Germany. Explore the many layers of Bergman's work and life with INGMAR BERGMAN - LEGACY OF A DEFINING GENIUS.Written by
A very inept docu made by a bragging show-off searching for her own lost fame
This documentary is a hard pass. There are a few interview tidbits that are interesting (if nothing really new), but every scene, every move is counteracted by von Trotta's deep need for attention and recognition. I don't have a problem with filmmakers inserting themselves into their own documentary, but this is just ridiculous: She is front and center. And about half of the runtime is about her, not Bergman. How she was inspired to become a filmmaker because of Bergman, how she felt honored, because he liked a movie of hers forty years ago. It becomes unbearable very quickly.
If you want to watch a informative documentary about Bergman, avoid this production like the plague. There's some interesting information burried there, somewhere beneath the layers of self-promotion and self-congratulatory chest pounding, but it's simply not worth the effort. A better title would be "The wonderful filmmaker Margarethe von Trotta looks back on her greatest achievements (and there's Bergman)". I hated it.
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