A documentary that follows the efforts of "Raqqa Is Being Slaughtered Silently," a handful of anonymous activists who banded together after their homeland was taken over by ISIS in 2014. ... See full summary »
Set inside a single room in Folsom Prison, three men from the outside participate in a four-day group-therapy retreat with a group of incarcerated men for a real look at the challenges of rehabilitation.
Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. "Rat Film" is a feature-length documentary that uses the rat--as well as the ... See full summary »
Shows "Cop watchers" dedicated to bringing awareness to their community and exposing police brutality/harassment. They are legally recording/documenting each arrest but often find themselves to be the victims of chaos.
"Nowhere to Hide" follows a man - the medic and father Nori Sharif - through 5 years of dramatic change in the war-torn Diyala-province; one of the most dangerous provinces in the middle of... See full summary »
Long careers are drawing to a close for John and Amanda, who teach Latin, English, and guitar at a stately home-turned-school, where they are legends with a mantra: "Reading. 'Rithmetic. Rock 'n' roll!" But leaving is the hardest lesson.
Powerful doc dedicated to the power of the people.
"A riot is the language of the unheard." chapter heading
Having never participated in a protest, much less a riot, I felt I had done both after experiencing directors Sabaah Folay and Damon Davis's Whose Streets? Their documentary about Ferguson, Missouri, and the death of Mike Brown in 2014 is an unremittingly real and passionate participant point of view that celebrates the will of an oppressed people to be heard.
Whose Streets? documents the thoughts and actions of the largely black population as they experience the white-cop brutality of Ferguson and St. Louis police forces, culminating in Mike Brown's being shot 8 times by an officer who justifies the assassination with his fear. The grand jury believed he was faultless, leading to disbelief and riots reminiscent of the reaction to Rodney King's killers' exoneration.
The doc is especially effective bringing home the pain with portraits of such sufferers as Brittany Ferrell, a comely and articulate young lesbian who is not afraid to speak her outrage. We see her at home with her children and on the street with the microphone chanting the will to fight to be free, an anthem echoed by virtually everyone facing down the daunting police and national guard forces.
The street's-eye view happens largely because cell phones recorded the abuse with a probing expertise heretofore only the province of professional filmmakers. But not today, when those little devices are adjuncts to the spirit of justice, albeit not always enough to bring convictions. David Whitt, a Copwatch citizen videographer, meticulously records and publishes images that damn the militaristic response, for the film's expert doc makers put them together to devastatingly powerful effect.
Although white cop Darren Wilson, 28, had Brown in his sights after Brown allegedly robbed a convenience store, Brown should not have died for the crime nor should his body have lain in the street for hours while the community and security reacted. However, most of the forensic evidence and testimony proved that Wilson acted in self defense.
If there can be a criticism of this doc, it would be that the evidence finally exonerating Wilson is not presented; he remains guilty in the spirit of the film if not the reality. Although the filmmakers could claim an interest only in the people's plight and reactions, full disclosure for me requires that I also see where the police can be at least partially exonerated.
Justice both civil and spiritual is elusive. Whose Streets? is an estimable rendition of a disadvantaged populace struggling to be heard.
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