6.1/10
1,422
18 user 24 critic

Demons (2017)

Not Rated | | Horror | 6 October 2017 (USA)
Celebrated fiction writer and former priest, Colin Hampstead, and his wife, Kayleigh, are tormented by the ghost of her late sister, as the details of her grisly death are slowly uncovered.

Director:

Miles Doleac

Writer:

Miles Doleac
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Cast

Credited cast:
John Schneider ... Dr. Gerry Connor
Andrew Divoff ... Jasper Grant
Gary Grubbs ... Father Joseph Moran
Steven Brand ... Eddie
Kristina Emerson ... Lara
Miles Doleac ... Colin
Jessica Harthcock ... Jewel Grant
Yohance Myles ... Marcus
Lindsay Anne Williams ... Kayleigh
Presley Richardson ... Young Jewel
Megan Few ... Emmie
Joseph VanZandt ... Police Officer
Ella Claire Bennett ... Jewel Hampstead
Caroline Baggerly ... Caroline Grant
Criss Green Criss Green ... College student
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Storyline

Celebrated fiction writer and former priest, Colin Hampstead, and his wife, Kayleigh, are tormented by the ghost of her late sister, as the details of her grisly death are slowly uncovered.

Plot Summary | Add Synopsis

Genres:

Horror

Certificate:

Not Rated

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

6 October 2017 (USA) See more »

Also Known As:

Демоны See more »

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Box Office

Opening Weekend USA:

$1,202, 8 October 2017

Gross USA:

$2,900

Cumulative Worldwide Gross:

$2,900
See more on IMDbPro »

Company Credits

Production Co:

Historia Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

During the swimming pool scenes I was the medical resource on set and it was in the blustry low 30's with plenty of wind and cold rain. It was totally amazing how the cast and crew stayed focused and on target even when there was a pool heater blow out. There was no solace from the cold as the doors on the mansion were wide open as well. Craft Services still managed to put out warm food despite the conditions. Dr. Rhiannon A. La Passioneria CDR USN Ret. See more »

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User Reviews

 
Aptly Named
8 March 2018 | by brindavaniSee all my reviews

This movie presents an insightful, thought-provoking, and deeply disturbing twist on the common exorcist theme. It's not that the question of the nature of evil is so rare, but that, when considered in the context of the storyline, the answer proves as elusive, as it does in life. Yet, in life, when confronted with such demands, after a time, we generally blow a circuit and change our focus to something else. It is as if mere humans just aren't designed to manage the failures in our design - but, one asks, why not? Why can't we, individually, or as a group, prevent the horrors which abound in our society? The movie gives us the opportunity to simply acknowledge our powerlessness and bewilderment, which are embodied variously by different characters, throughout the storyline. Contrary to the gist of several reviews, the seemingly low key nature of the horror, here, is no failure, but, rather, design. The notion of the invincibility of evil, when one takes a moment to savor the feelings brought up by the absence of triumph in the film, sinks down deep into our constant fears, sorrow, and coping mechanisms, laying bare the inner landscape, for the moment portrayed as a battlefield bloodied by failure, impotence, and defeat. If that seems overdone, pause to consider the lives of just those neighbors you know within a half block, the walking wounded you see everywhere you go, the daily horrors of abuse and neglect sickening so many around us and causing maladaptive reactions which only make things worse.

For a few minutes after the movie, we ponder the subtleties. If, as implied by the film, evil is not something outside ourselves, but some horror arising within, how can it be combatted, prevented, or accepted? In real life, of course, the situation would have been handled differently; but the film's focus on evil, itself, only benefits from the contrivance, as if to point out that dealing with the symptoms allopathically is all good and fine, when it works; but how can we direclty address a disease so deeply embedded in the human experience?

The acting was great. In fact, the actor with the most objectionable character does such a believable job that it was hard to watch. To avoid mentally slapping him, I had to switch to appreciating his craft.


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