When the executives at Heartstrings Press wants to drop Michael Rothchild's (Corey Sevier) next romance book, junior editor, Dori Shephard (Charlotte Sullivan), argues her way into working as the lead editor. But Dori's dream job becomes...
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Director:
Writer:
Photos and Videos
Cast
| Charlotte Sullivan | ... |
Dori
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| Corey Sevier | ... |
Michael
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Christie Laing | ... |
Pamela
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| Preston Vanderslice | ... |
Philip
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| Brittney Wilson | ... |
Trudy
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| John Shaw | ... |
Zev
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| Jill Teed | ... |
Risi
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| Colin Lawrence | ... |
Tim
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| Byron Noble | ... |
Store Owner
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| Debs Howard | ... |
Rebecca
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| Lindsay Maxwell | ... |
Beautiful Woman
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| Leanne Lapp | ... |
Robyn
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| Clare Filipow | ... |
Pretty Woman (Valeria)
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Directed by
| Rick Bota | ||
Written by
| Matt Marx | ... | () |
Produced by
| Jamie Goehring | ... | producer |
| Kevin Leeson | ... | producer |
| Larry Levinson | ... | executive producer |
| Jonathan Shore | ... | associate producer |
| Shawn Williamson | ... | associate producer |
Music by
| Marc Baril | ... | (music by) |
Cinematography by
| Randal Platt | ||
Editing by
| Dan Krieger | ... | (as Daniel Krieger) |
Editorial Department
| Lionel Barton | ... | colorist |
| Flavio Bidese | ... | finishing editor |
| Trevor Howell | ... | second assistant editor |
| Evangeline Palting | ... | first assistant editor |
| Rowan Parker | ... | post-production coordinator |
| Kelvin Tseng | ... | first assistant editor |
| Kelly Wong | ... | first assistant editor |
Casting By
| Kara Eide | ||
| Kris Woznesensky | ||
Production Design by
| Daren luc Sasges | ... | (as Daren Luc Sasges) |
Art Direction by
| Nike Hatzidimou | ||
Set Decoration by
| Heather Victoria Adams | ||
Costume Design by
| Claudia Da Ponte | ||
Makeup Department
| Chris Bennett | ... | hair stylist |
| Gila Bois | ... | key makeup artist |
| Kianna Lopes | ... | swing hair/makeup |
Production Management
| Emanuel Pereira | ... | post-production supervisor |
| Michelle Samuels | ... | production manager |
| Jonathan Shore | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Erez Barzilay | ... | trainee assistant director |
| Alleris Gillham | ... | third assistant director |
| Dave T. Nall | ... | second assistant director |
| Kevin Speckmaier | ... | first assistant director |
Art Department
| Dani Peimer | ... | set dresser |
| Kayla Rilling | ... | assistant property master / on-set props |
| Tanisha Roman | ... | lead dresser |
| Margo Royer | ... | on-set dresser |
| Jason Sober-Blodgett | ... | assistant set director (as Jason Sober) |
| Lloyd Stone | ... | property master |
Sound Department
| Chris Corpuz | ... | boom operator |
| Tony Gort | ... | sound designer |
| Mesh Gutierrez | ... | boom operator |
| Don Harrison | ... | foley artist |
| Kevin Hemmingson | ... | production sound mixer |
| Tyler Kathrens | ... | boom operator |
| Ian Mackie | ... | foley artist |
| Roger Morris | ... | dialogue editor |
| Angelo Nicoloyannis | ... | backgrounds editor |
| Miguel Nunes | ... | re-recording mixer |
| Jeffrey Roy | ... | adr mixer |
| Rick Senechal | ... | foley engineer |
| Sean Szutka | ... | assistant sound editor |
| Ryan Thompson | ... | re-recording mixer |
Special Effects by
| Robert Musnicki | ... | special effects coordinator |
Visual Effects by
| Brett Keyes | ... | visual effects producer: The VFX Cloud Inc. |
| Anuj Patil | ... | compositor (as Anuj Fatil) |
| Vicki Silva | ... | compositor |
Camera and Electrical Department
| Terry Barkman | ... | generator operator |
| Brandon Booth | ... | B camera second assistant |
| Dean Buscher | ... | stills photographer |
| Jeremy Cox | ... | B camera first assistant |
| Brent Curran | ... | digital imaging technician |
| Geoff Dane | ... | gaffer |
| Bradley Davis | ... | lamp operator |
| Stephan DuVal | ... | A camera first assistant |
| Martin Udo Haas | ... | A camera operator (as Martin Hass) |
| Kinley Hubert | ... | grip |
| Bradley Ishii | ... | lamp operator |
| Izaiah Kane | ... | A camera second assistant |
| Mark Lunn | ... | B camera operator |
| Alexander Ma | ... | best boy |
| Molly Mackinnon | ... | B camera second assistant |
| Franco Marcoux | ... | grip |
| Noor Razzak | ... | dolly grip |
| Keshia Smith | ... | B camera second assistant |
| Tony Thorpe | ... | best boy grip |
| James Vinblad | ... | key grip |
| Knesha Yu | ... | best boy |
Casting Department
| Stephanie Boeke | ... | extras casting director |
Costume and Wardrobe Department
| Vanessa Driveness | ... | set supervisor |
| Emily Laing | ... | truck costumer (as Emily Mary Laing) |
Location Management
| Amy Barager | ... | locations manager |
| Stan Lawson | ... | prep assistant location manager |
| Kris Monico | ... | location scout |
| Dan Moore | ... | assistant locations manager: shoot |
Music Department
| Keram Malicki-Sánchez | ... | composer: additional music |
Script and Continuity Department
| Suze Dunbar | ... | script supervisor |
Transportation Department
| Trinity Diaz | ... | cast driver |
| Dean Fitzpatrick | ... | transport coordinator |
| Derek Keillor | ... | picture vehicles |
| Dani Peimer | ... | art driver |
| Nate Pelletier | ... | cable truck driver |
| Jenna Sanderson | ... | cast driver |
| Mark Schmitke | ... | transport captain |
| Chris Sharifi | ... | special equipment driver |
Additional Crew
| Eric Ahn | ... | first aid/craft service |
| Arthur Amson | ... | key production assistant |
| Kristen Bell | ... | director of business & legal affairs |
| Sandra Cinelli | ... | chef: TV Dinners |
| Heather Dorosh | ... | assistant chef: TV Dinners |
| Sean Hanlin | ... | security |
| Mario Jurado | ... | production assistant |
| Michelle Kabatoff | ... | key production assistant |
| Mai-Britt Kotzman | ... | assistant production accountant |
| Gorrman Lee | ... | assistant production coordinator |
| Chris Lutzer | ... | production assistant |
| Robyn MacAlpine | ... | first aid/craft service |
| Robert Marshal | ... | stand-in |
| Scott Matthews | ... | production coordinator |
| Ken Milloy | ... | production assistant |
| David Oland | ... | vice president of business & legal affairs: A. D. Oland Law Corp. |
| Joey Setter | ... | production coordinator |
| Kaitlin Straker | ... | stand-in |
| Todd Thomas | ... | chef: TV Dinners |
| Trudi Thorwaldson | ... | production accountant |
| Brittany Towson | ... | production assistant |
| Steve Woodley | ... | animal coordinator |
Production Companies
- Lighthouse Pictures
- Okanagan Media (in association with)
Distributors
- PixL Entertainment (2016) (United States) (tv)
- Daro Film Distribution (2017) (Non-US)
- Nova Life (2019) (Greece) (tv)
Special Effects
Other Companies
- Matrix Production Services (location equipment and services)
Storyline
| Plot Summary |
When the executives at Heartstrings Press wants to drop Michael Rothchild's (Corey Sevier) next romance book, junior editor, Dori Shephard (Charlotte Sullivan), argues her way into working as the lead editor. But Dori's dream job becomes her nightmare as she realizes Michael isn't everything she imagined. Dori breaks the news to Michael that the executives think he's an ill-mannered, washed up novelist and want to terminate his contract. Not wanting to be dropped from Heartstrings Press, Michael agrees to work with Dori for 30 days. While Dori wrestles with Michael's languorous behavior she's also in the midst of planning her wedding to her fiancé, Philip (Preston Vanderslice). However, things go awry for Dori when work becomes an obstacle in her relationship. Dori must learn what true love really means before it's too late. |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $2,000,000 (estimated) |
Did You Know?
| Goofs | When Dori and Michael pull away from the church, the car plates are not from Washington state (where the story is set); they are from B.C. (where it is filmed). See more » |
| Quotes |
Pamela:
Why are you going to all this trouble to keep dating? Tim: You're real. For better or worse, you tell it like it is. You know, a lot of people, they want you to tell them what they want to hear, but you tell people what they *need* to hear. That kind of honesty's a rare trait. I think I could use some of that in my life. Pamela: Be careful what you wish for. Tim: I on the other hand, I am optimistic. I am loyal, and I will always be there for you. Frankly, I think you could use some of *that* in your life. See more » |