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Roma (2018)

R | | Drama | 21 November 2018 (USA)
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A year in the life of a middle-class family's maid in Mexico City in the early 1970s.

Director:

Alfonso Cuarón

Writer:

Alfonso Cuarón
Reviews
Popularity
24 ( 12)

Director's Trademarks: The Films of Alfonso Cuarón

IMDb dives into the distinct trademarks of Alfonso Cuarón's directorial style to illustrate what Children of Men, Gravity, Y Tu Mamá También, and his latest, Roma, have in common.

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Nominated for 10 Oscars. Another 132 wins & 142 nominations. See more awards »

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Cast

Cast overview, first billed only:
Yalitza Aparicio ... Cleo
Marina de Tavira ... Sra. Sofía
Diego Cortina Autrey ... Toño
Carlos Peralta ... Paco
Marco Graf ... Pepe
Daniela Demesa ... Sofi
Nancy García García ... Adela
Verónica García ... Sra. Teresa
Andy Cortés Andy Cortés ... Ignacio
Fernando Grediaga ... Sr. Antonio
Jorge Antonio Guerrero ... Fermín
José Manuel Guerrero Mendoza José Manuel Guerrero Mendoza ... Ramón
Latin Lover Latin Lover ... Profesor Zovek
Zarela Lizbeth Chinolla Arellano Zarela Lizbeth Chinolla Arellano ... Dra. Velez
José Luis López Gómez José Luis López Gómez ... Pediatra
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Storyline

A year in the life of a middle-class family's maid in Mexico City in the early 1970s.

Plot Summary | Plot Synopsis

Taglines:

There are periods in history that scar societies and moments in life that transform us as individuals.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for graphic nudity, some disturbing images, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Mexico | USA

Release Date:

21 November 2018 (USA) See more »

Also Known As:

Roma See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Ranked #1 in Sight&Sound Magazine's top 20 films of 2018 list. See more »

Goofs

On the scene previous to the attack on the students, the camera travels along several military vehicles, many of them bearing a very contemporary FORD logo on the radiator screen. then slows to show a VW Safari from the right era. See more »

Quotes

Fermín: And I started drinking, and then huffing. I was dying. But then I discovered martial arts. And everything came into focus. Just like when you look at me.
See more »

Crazy Credits

The closing credits ends with a mantra from the Upanishads: "Shantih Shantih Shantih." This is also the closing line of the 1922 poem "The Waste Land" by T. S. Eliot. See more »

Connections

References La hermana Trinquete (1970) See more »

Soundtracks

Cariño
Written by Juan Escamilla Sánchez
Performed by Los Baby's
Published by Predisa / Bicycle
Courtesy of Warner Music Mexico, S.A. de C.V.
See more »

Frequently Asked Questions

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User Reviews

 
In the best of the decade
17 September 2018 | by lukietd-55963See all my reviews

Alfonso Cuarón might be my favourite living director, jesus that was brilliant. Where to begin with this masterpiece...

Well - to start - 'Roma' is one of the most beautiful films of the decade, every shot is masterfully executed, blocked, framed, and detailed. Cuarón himself was the cinematographer in this project, and he did a phenomenal job. You can't help but have your jaw on the floor the entire runtime. Right from the opening shot I knew I was in for something masterful. Cuarón's signature long takes were ever prevelant here, and each was as masterful as the last. Sometimes he lingers on a subject beautifully to exentuate a point, or makes a small adjustment to a shot - giving it a completely different meaning. The symmetry and pure brilliance of every single scene sends chills down your spine. I won't spoil it, but there's a particular shot near the middle of the film involving a man singing, where Caurón plays with the contrast between background and foreground so powerfully it got even got a few tears rolling.

Cuarón's visual motifs find their way across the film, tying the somewhat loose plot into a resounding and heart wrenching force. Again - no spoilers - but he uses planes, water, cars, dogs, and themes of birth and death to represent metaphorically or sometimes literally how characters feel and how their relationships to eachother are.

The lead performance from Yalitza Aparicio was great, especially considering this is the first film she's ever acted in. Hats off to the casting director for plucking her out of obscurity and having her end up delivering such a resounding performance. I really hope this movie will jump start a career for her.

This film is a grandmaster at the top of his game, and is breathtaking perfection from start to finish. Alfonso Cuarón returns to his Spanish roots for a passion project he's been talking about since 2006. He excercises almost total creative control by wearing a lot of hats on the production. He directed, co-produced, wrote, edited, and photographed this film. A complete 180 from his last three studio works (although some of them are masterpieces), ROMA exercises more storytelling prowess than them, and no one will be calling this film 'style over substance' no matter how beautiful it is.

'Roma' is another Cuarón masterpiece, and I'm happy that it will be seen to a vastly larger audience because of the Netflix distribution. However, that is also a double edged sword - because this is a film that is best seen on the big screen, but I'm still pleased more people will be exposed to this masterclass in filmmaking. I urge you to watch this the second you have the chance, because Cuarón has made one of the best films of the decade.


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