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Roma (2018)

R | | Drama | 21 November 2018 (USA)
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A year in the life of a middle-class family's maid in Mexico City in the early 1970s.

Director:

Alfonso Cuarón

Writer:

Alfonso Cuarón
Reviews
Popularity
25 ( 13)

Director's Trademarks: The Films of Alfonso Cuarón

IMDb dives into the distinct trademarks of Alfonso Cuarón's directorial style to illustrate what Children of Men, Gravity, Y Tu Mamá También, and his latest, Roma, have in common.

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Nominated for 10 Oscars. Another 158 wins & 151 nominations. See more awards »

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Cast

Cast overview, first billed only:
Yalitza Aparicio ... Cleo
Marina de Tavira ... Sra. Sofía
Diego Cortina Autrey ... Toño
Carlos Peralta ... Paco
Marco Graf ... Pepe
Daniela Demesa ... Sofi
Nancy García García ... Adela
Verónica García ... Sra. Teresa
Andy Cortés Andy Cortés ... Ignacio
Fernando Grediaga ... Sr. Antonio
Jorge Antonio Guerrero ... Fermín
José Manuel Guerrero Mendoza José Manuel Guerrero Mendoza ... Ramón
Latin Lover Latin Lover ... Profesor Zovek
Zarela Lizbeth Chinolla Arellano Zarela Lizbeth Chinolla Arellano ... Dra. Velez
José Luis López Gómez José Luis López Gómez ... Pediatra
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Storyline

A year in the life of a middle-class family's maid in Mexico City in the early 1970s.

Plot Summary | Plot Synopsis

Taglines:

There are periods in history that scar societies and moments in life that transform us as individuals.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for graphic nudity, some disturbing images, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Mexico | USA

Release Date:

21 November 2018 (USA) See more »

Also Known As:

Roma See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

To avoid a "subjective depiction" of the period, Alfonso Cuarón chose to shoot the bulk of the film in wide shots, slowing panning over a scene, taking everything in. See more »

Goofs

The subtitles misspell the model name of the family's Ford Galaxie as "Galaxy." See more »

Quotes

Dra. Velez: Mountains are old, but they're still green.
See more »

Crazy Credits

The closing credits ends with a mantra from the Upanishads: "Shantih Shantih Shantih." This is also the closing line of the 1922 poem "The Waste Land" by T. S. Eliot. See more »

Connections

Features La Grande Vadrouille (1966) See more »

Soundtracks

Ándale (Y ándale)
Written by Minerva Valdez de Elizondo
Performed by Las Perlitas
Published by Predisa / Bicycle
Courtesy of Discos Musart, S.A. de C.V.
See more »

Frequently Asked Questions

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User Reviews

 
An amazing film for the history of cinema. But maybe not for the audience's history.
8 January 2019 | by joshkurtzerSee all my reviews

"I just watched this film and I didn't really like it that much as everyone else does. But I have no idea why I don't."

This film creates exceptional reality with the details of the characters, and how they traverse with each other in their day-to-day lives. The way that the characters related to one another, and spoke with each other was just as if we went away for a short time into our cinemas or screens, to view a family 50 years ago go about their lives. It was an amazing film to experience as an aspiring filmmaker, but because of all that realism, I felt it left something crucially important out.

Watching this film was like going out on a date with an attractive girl/guy who had all the great features they can have, but there was no real personal connection with me. They just sat there on the date in front of me, telling me about their lives and what they did, instead of having any real relation with them about what they do or have done.

The reason that I think most people dislike this film (for the odd reasons they state) is that there was no film to audience connection, or in other terms, that it was passive. Yes of course there was continual heart warming emotion displayed throughout all areas of the scenes, but some of the scenes conveyed too much realism (yes too much) to not even address the audience watching the film. And no, if you are thinking that the film should have been more active with the viewer, with on-the-nose dialogue, or voice-overs towards the audience, no. I just wanted a reason to keep watching, that's what connection is within a film. Yes the acting, cinematography, editing, etc was all superb, but there was no real reason I wanted to play along with the film.

I felt that it was as if the film was so well executed it won the hearts of many cinema lovers, and filmmakers, but it did not cater for the audience of the world who aren't into the minor details of cinema. A good story is something that the audience should be apart of from the opening scene, to the ending shot- as to be honest, I sadly didn't feel within this film, like the quote stated above.

It spent too much time looking good for the people, instead of really delving into the hearts of the audiences, which is what I personally love out of a good film. As a filmmaker however, I can definitely say I will be watching this again and again due to its immaculate execution of filmography and craft.

Thank you Alfonso Cuarón.

8/10

  • j.kurtzer


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