When her father unexpectedly dies, young Ella finds herself at the mercy of her cruel stepmother and her scheming stepsisters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger.
When the newly-crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses a genie's magic power to make himself a prince in order to marry her. He is also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true.Written by
Unlike the shapeless flabby genie of the original Aladdin (1992), director Guy Ritchie purposefully portrayed Will Smith's genie with a bodybuilder physique complete with bulging biceps, swollen pecs and ripped six pack abs. He explained to EW, "There's a particular type of physicality that I grew up with that I was keen on - that 1970s body builder look - not inflicted by steroids but by lifting vast amounts of weight and eating vast amounts of food. So I want a genie with abs." Will Smith said, "Their (1970s bodybuilders) upper body is really huge and the legs are small 'cause they never do leg day." Ritchie added, "I did want a traditional demigod, someone who looked like a big, strong muscular 70s bodybuilding dad - a physically imposing but avuncular figure - big enough to feel like a force, but not like he was counting his calories." Ritchie told Empire that he also wanted his Genie to be egotistical - he liked the idea that "the wisest entity in the physical sphere happens to be really vain." To showcase his vanity, the Genie is seen flexing his enormous biceps multiple times in the film. He's also seen pumping iron in the form doing bicep curls with a very heavy dumbbell and bench press with a massive barbell along with a skipping rope and hula-hoop to remain ripped. He also does various bodybuilding poses in front of a mirror while checking out his muscles. It should be noted that highly sculpted physique shown in the film was created using CGI and is not Smith's actual physique. See more »
When Dalia helps Jasmine take off her jewelry, Dalia is seen taking off Jasmine's necklace and Jasmine still has her earrings on. As soon as Jasmine turns around to face Dalia, her earrings are missing. See more »
[turning Aladdin in Prince Ali]
So, what do you think?
I like it.
Of course you like it, boy! I made it!
I think that's me.
Strictly speaking, it is me. I mean, I did most of the work. You was just standing there. But I-I hear you.
See more »
The film title, the names in the opening credits and the end title dissolve into sand. See more »
As soon as this live action version of Aladdin was first announced, it seems certain people were against it. While I too have fond memories of seeing the original animated version at the theatre, I was at least willing to give this one a chance. I'm glad I did. Firstly, people need to realise an animated film and live-action film are two different things. Some things that work in animation just won't translate too well into live-action. The other thing to accept is that, short of resurrecting Robin Williams, there was no way they were ever going to be able to replicate his unique take on the character of the Genie. Once you open your mind to the possibility that something can be 'different' but also *good*; then you'll have a more pleasant experience. That's what we get here: a movie that is familiar, but at the same time new/different (and that's not a bad thing).
From the very beginning, the movie is somewhat different to what we might be expecting when we're introduced to who is telling the story. While it was immediately evident to me what was going on, it wasn't a 'bad' addition. After sweeping shots set to the song 'Arabian Nights', we're introduced to the 'street rat' named Aladdin. Although much fuss has been made about the Genie casting, if Aladdin had been miscast, then the whole film would've suffered. Thankfully, I can say that I almost immediately liked Mena Massoud in the role. He's funny, got moves/charm, makes for a likeable 'thief' and his relationship with his pet monkey, Abu, is as good as I'd hoped it'd be. Speaking of, although people think of CGI characters badly a lot of the time, it must be made clear the animal companions in this are all wonderfully brought to life/fully-realised characters. Abu is expressive, funny, and helpful (despite sometimes getting them both into trouble).
Not before long Aladdin encounters Princess Jasmine (a well-cast Naomi Scott, who does a lot with the character and should make most Jasmine fans proud), who's undercover among the people. I was afraid that the movie would rush through their first meeting, but was happy with the amount of time devoted to them developing an interest in each other. I could instantly tell that the beloved character of Jasmine was in safe hands as portrayed by Naomi Scott and that she had nice chemistry with Massoud's Aladdin. Although not given as much to do as Abu, Jasmine's loyal tiger companion, Rajah, is another lovely animal created with CGI, who I appreciated wasn't largely ignored. Jasmine's other loyal friend, her handmaiden named Dalia, is actually a stand-out character in the movie. Nasim Pedrad has excellent comic timing, as does Naomi Scott, which is on full display in a fun scene where Aladdin comes to the palace and Jasmine attempts to maintain her cover.
The one 'miss' in the casting department is that of Marwan Kenzari as villainous Jafar. While others had pre-judged him based on the trailers alone, I was willing to give him a chance to make up for his lack of sinister voice with what would hopefully be at least a menacing performance. Sadly, he lacks even that. There's nothing particularly memorable about his portrayal (even near the end when he's given every opportunity to unleash in full-on villain mode, he falls way short). About the only 'positive' I could find regarding his character is his animal companion of Iago. The red parrot might not be quite as talkative as the animated version, but he *does* talk (and in a much more bird-like way), getting a few funny lines here and there (I'd expect nothing less from Alan Tudyk providing the voice). It's just disappointing that Jafar's miscast, and thus the 'weak link' in the film.
What most people are probably wondering about is Will Smith as the Genie. I actually thought he was pretty good here (and I found him more likeable in this role than I have in any movie I've seen him in since probably the first Men In Black). There are just one or two instances where I felt he tried to emulate Robin Williams' version and it didn't quite work, but on the whole I felt he brought his own energy/style to the character of Genie and it (mostly) worked. The most important thing was the friendship that he formed with Aladdin. While Smith's Genie may seem a bit more snarky than you might expect, when it comes to the emotional beats, his performance hits the right notes (especially near the end).
Speaking of notes, "What about the songs?" you may ask. I was pretty happy with them, there were just the right amount and they didn't feel particularly intrusive in any of the scenes they were featured. Even the new song, 'Speechless', isn't too bad (though there are those who'll no doubt complain). Massoud and Scott have really nice singing voices and did their songs justice, I thought. Will Smith's also decent with his main songs in the movie (the end credits one I could've done without, though).
I must also praise the costumes (Jasmine's are all stunning, as is Jasmine herself), the use of vibrant colours is quite impressive and the overall look of the film feels like something new/different to what we've seen time and time again in films (especially Disney ones). Things I forgot to mention: the Magic Carpet has as much 'character' as in the original (I especially appreciated seeing how close friends Carpet and Abu became by the end), and even the Sultan's head guard, Hakim, is given some depth.
In conclusion, if you go into the theatre already disliking/hating the film based on just the trailers, then you're probably going to leave the same way you entered: bitter and thinking things like "It ruined my childhood!" (such a rubbish statement). Just try accepting this is a different thing and hopefully you'll enjoy it.
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