5.8/10
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2 user 4 critic

Ferrante Fever (2017)

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1:36 | Trailer
Hillary Clinton, Roberto Saviano, Jonathan Franzen and others weigh-in on the Elena Ferrante "craze" and what makes her work - and her mysterious persona - so uniquely captivating.

Director:

Giacomo Durzi

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Cast

Credited cast:
Jonathan Franzen
Ann Goldstein Ann Goldstein
Roberto Saviano Roberto Saviano
Elizabeth Strout Elizabeth Strout
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Storyline

With over 10 million copies of her "Neapolitan Novels" sold in over 50 countries, Elena Ferrante is a global literary sensation. She was named one of Time Magazine's 100 Most Influential People in the World and HBO recently turned the first book in the quartet, My Brilliant Friend, into a subtitled miniseries hit with more seasons to come. A journey between New York City's cultural hub and Ferrante's native Italy, the film explores how an anonymous author's visceral tales of love and friendship gained such an enthusiastic following. Hillary Clinton, Roberto Saviano, Jonathan Franzen and others weigh-in on the Ferrante "craze" and what makes her work--and her mysterious persona--so uniquely captivating.

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Genres:

Documentary

Certificate:

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Details

Official Sites:

Documentary

Country:

Italy | France

Language:

Italian | French

Release Date:

8 March 2019 (USA) See more »

Also Known As:

La prodigieuse Elena Ferrante See more »

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Box Office

Budget:

€150,000 (estimated)

Opening Weekend USA:

$3,509, 10 March 2019, Limited Release

Gross USA:

$11,137, 25 April 2019
See more on IMDbPro »

Company Credits

Production Co:

Malìa, Rai Cinema, QMI See more »
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Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color
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User Reviews

 
Ferrante impact
7 March 2019 | by ferguson-6See all my reviews

Greetings again from the darkness. "I publish to be read." Those are the words of Elena Ferrante, an Italian writer who is committed to having her work speak for itself. She has eschewed the celebrity status that typically accompanies best-selling authors. Where previously we have been intrigued by recluses like JD Salinger, Harper Lee, or even Howard Hughes, it's rare (unprecedented?) that we are speaking of absolute anonymity. With no public face whatsoever behind the pen name of so many successful books, director Giacomo Durzi flirts with the question, is it the mystery of the author or the author's work that drives interest?

It's somewhat ironic that a film focused on an author so adamant about avoiding the spotlight opens with a quote from one of the most recognizable names and voices on the planet. Hillary Clinton describes Ferrante's writing as "hypnotic", and claims to ration her time for reading the books. Of course when one chooses not to talk about their work, it leaves others to do so. Director Durzi serves up a lineup of editors and writers, plus a researcher/scholar and the translator of Ferrante's all-Italian writing. We learn that the fuse of globalization for Ms. Ferrante's work was lit by James Wood and his review in "The New Yorker". This global literary phenomenon exploded from there. Insight from writers Jonathan Franzen, Roberto Saviano, and Elizabeth Strout help us understand how these books have been so influential, impacting so many readers. A segment on the Italian Strega Prize for literature is fascinating, as it becomes clear that even her home country doesn't know how to handle her success.

Translator Ann Goldstein is interviewed, and even jokes about how unusual it is for a translator to become part of the story ... another example of how Ferrante's anonymity changes things. Ms. Goldstein is unapologetically a fan of the work and seems anxious to continue. Ms. Ferrante's own words drawn from her letters in "Frantumaglia" hover over the film as narration, but that's as close as we get to the real person.

Time Magazine lists her as one of the 100 most influential personalities, which is kind of funny since we don't know her personality other than through her writing. Durzi's film is not a search for the person or a quest to uncover the author's identity, as it's more of an exploration of the popularity and impact of her work. We can't help but wonder if other writers are more envious of her writing ability or of her ability to remain anonymous. Typically the former destroys any hope of the latter ... but not with Ferrante.


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