A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
Claudia and Flavio were passionately in love for a long time. It all ended and things were not easy for her. After many years, their world is adrift. He feels the need to keep on going, down on the ground; she would rather never forget.
Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive's feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston's children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman's creation.
Often erroneously thought to be the inventor of the polygraph, better known as the lie-detector, William Moulton Marston was actually the inventor of the systolic blood pressure cuff, an important component of the polygraph. This misconception is reinforced by the biographical picture "Professor Marston and the Wonder Women." The invention of the polygraph is more appropriately credited to John Augustus Larson. See more »
When the professor was in the hospital at the end of his life his room had modern features that would not have been in hospital in the 1940's. These include a sprinkler system, modern electrical boxes and some large, modern A/C units outside the windows. See more »
A beautiful story that could have been so much better
Powerful script crafted into a beautiful movie that I liked very much. My only grievance is that the Director chose not to portray all three legs of the tripod in the same light and hence the movie comes across as another romantic movie instead of showing how tantalizingly tumultuous polyamorous relationships are. They are so much more than two human beings of any sex being attracted to each other. Two plus one becomes four or five or so much more but certainly not three. One minute of the scene in a similar vein in House of Cards captures that passion more so than I could locate anywhere in this movie. Hall played her role perfectly and seemed natural in a triad. While this was a missed opportunity, I am glad this movie was made and an interesting story was shared and for that I am very thankful to TIFF and the Director.
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