Zaynab, a thirty-something Pakistani, Muslim, lesbian in Chicago takes care of her sweet and TV-obsessed mother. As Zaynab falls for Alma, a bold and very bright Mexican woman, she searches for her identity in life, love and wrestling.
The established relationship between university student Bruno and aspiring photographer Carla is thrown into turmoil when Bruno feels drawn to sexy karate instructor/break dancer Rai. Complications ensue.
Claude and Ellen are best friends who live in a not-so-nice area of New York. They're involved in the subculture of 90s youth, complete with drugs, live music, and homophobia. All is ... See full summary »
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
Billie #hatesherjob and quits mere months before getting married. She meets a ragtag group of women also looking for employment, and finds herself juggling her upcoming wedding with launching a new tech start-up.
Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities. Being without a cliché to hold onto can be a lonely experience.
Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive's feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston's children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman's creation.
The Marstons' life has been previously adapted into the 2014 play "Lasso of Truth", written by Carson Kreitzer. The characters of Olive Byrne, Elizabeth Marston and William Moulton Marston were credited as "Amazon", "Wife" and "Inventor" respectively. The play premiered at the Marin Theatre Company in San Francisco. See more »
The end notes of the film say that the sexual themes disappeared from Wonder Woman after Marston's death and that she lost her powers, implying that the two happened around the same time and that Wonder Woman's loss of powers was long lasting. While Wonder Woman did lose her powers, this occurred in the late 60s and was brief time period. The end notes also implies that the character was basically defunct until Gloria Steinem featured her on Ms Magazine. In fact, Wonder Woman remained in constant publication throughout the period after Marston's death. See more »
William Moulton Marston:
[speaking to an audience]
My name is Dr. William Moulton Marston. And I am the creator of Wonder Woman. Wonder Woman is a love letter. She is a fantasy. She comes from a distant place where there is beauty and justice, and respect. I write what I see about women I know women who are every bit as just and strong, and capable as Wonder Woman. Now, we can debate the length of her hemline. But what is important is the way Wonder Woman reforms criminals. She makes them tell the truth. ...
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Photos of real-life William Marston, his wife Elizabeth, and Olive Byrne are shown at the end of the movie. See more »
Original Interpretation of an interesting story -- for adults
Fantastic film. But not as sexual as the advertisements promised. In fact, apart from the curse words, this film should be rated PG-13 at best. I found it surprisingly chaste.
The first thing you should know is that this film is NOT based on the book, The Secret History of Wonder Woman. It is based on original research by the director/writer of the movie, who did a great job interpreting the story her own way. It's a story about what happens when you defy convention! And the good that can come of it.
Is it factual? Mostly, yes. Kinkiness and BDSM is in the book as well (just read it), not to mention the early comics of Wonder Woman. Anyone denying the lesbian/BDSM content of the real story and the BDSM content of the comic ... is in denial. Sadly, the granddaughter of William Moulton Marston has campaigned to destroy the film, enlisting the support of conservatives and anti-gay people (of which there are many) to spread the word about how the movie is "fake." But what's fake? It's a fictional retelling, not a documentary, based on a true story. Fake is the show, Fargo, which claims to be based on actual events, but is completely made up. But no one seems to make a big deal about that. Why? No BDSM or lesbian content in it -- so it's perfectly fine? I think certain people need to acknowledge their own prejudice.
Anway, I thought the actors were solid. The director did a great job telling an unconventional story. This is a movie for adults, obviously. I could see this film as a theater piece -- a Broadway play -- actually -- particularly those dress-up scenes with the Frenchman, Charles Guyette, the "G-String King." Very theatrical indeed.
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