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Professor Marston and the Wonder Women (2017)

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The story of psychologist William Moulton Marston, and his polyamorous relationship with his wife and their mistress who would inspire his creation of the superheroine, Wonder Woman.

Director:

Angela Robinson

Writer:

Angela Robinson
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8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Luke Evans ... William Moulton Marston
Rebecca Hall ... Elizabeth Marston
Bella Heathcote ... Olive Byrne
Connie Britton ... Josette Frank
Monica Giordano ... Mary
JJ Feild ... Charles Guyette
Chris Conroy ... Brant Gregory
Oliver Platt ... M.C. Gaines
Maggie Castle ... Dorothy Roubicek
Alexa Havins ... Molly Stewart
Sharon Kubo Sharon Kubo ... Kate
Allie Gallerani Allie Gallerani ... Sara
Christopher Jon Gombos ... Fred Stewart (as Chris Gombos)
Forry Buckingham Forry Buckingham ... Doctor
Stacy Fischer Stacy Fischer ... Linda
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Storyline

Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive's feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston's children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman's creation.

Plot Summary | Add Synopsis

Taglines:

Meet the women behind the man behind the woman. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

R for strong sexual content including brief graphic images, and language. | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

13 October 2017 (USA) See more »

Also Known As:

El profesor Marston y la Mujer Maravilla See more »

Filming Locations:

Lowell, Massachusetts, USA See more »

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Box Office

Opening Weekend USA:

$736,883, 15 October 2017, Wide Release

Gross USA:

$1,584,759, 20 November 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Often erroneously thought to be the inventor of the polygraph, better known as the lie-detector, William Moulton Marston was actually the inventor of the systolic blood pressure cuff, an important component of the polygraph. This misconception is reinforced by the biographical picture "Professor Marston and the Wonder Women." The invention of the polygraph is more appropriately credited to John Augustus Larson. See more »

Goofs

A major scene early in the movie takes place in a Radcliffe College sorority. Radcliffe, which was later absorbed into Harvard University, never had sororities. Harvard has had fraternities. Theodore Roosevelt, for one, was in a fraternity at Harvard. Also, in, e.g., The Social Network, they discuss a Jewish fraternity at Harvard. See more »

Quotes

Brant Gregory: Path to peace is not through finance or politics it is to solve the problems of man's heart. Can't solve war by simply studying men's feelings.
William Moulton Marston: Of course, you're right. Men's minds are far too limited. That's why we need women.
See more »

Crazy Credits

Photos of real-life William Marston, his wife Elizabeth, and Olive Byrne are shown at the end of the movie. See more »


Soundtracks

Feeling Good
Written by Anthony Newley & Leslie Bricusse
Performed by Nina Simone
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Not Henry & June ... But Worth Your Time
11 October 2017 | by Antonovich84See all my reviews

Grateful to have caught an early screening of this movie in NYC, in which the cast made a brief appearance at the movie theater. The first thing I want to say is that this is a movie I will watch more than once.

Professor Marston and the Wonder Women is a film about ideas. It explores polyamory ("the philosophy or state of being in love or romantically involved with more than one person at the same time") and touches on explorations of dominance/submission and role-play, along the lines of BDSM.

Having read Jill Lepore's excellent book, The Secret History of Wonder Woman, I knew a great deal about this story before going into the theater. As Lepore writes, "Wonder Woman's debt is to the fictional feminist utopia and the struggle for women's rights. Her origins lie in William Moulton Marston's past, and in the lives of the women he loved; they created Wonder Woman, too." It's this dynamic that sets the stage for this story, and the preview trailer for this film made it look erotic too. But those expecting to see a film along the lines of Henry & June may be disappointed.

I enjoyed this movie, but wished the romantic elements were explored more fully, particularly between the two women. The editing seemed at times overly efficient, too much in a hurry, far more concerned with propelling the narrative forward than in creating a relaxed, intimate atmosphere where the characters could indulge in the situation and be in the moment. I wish there were more "real time" scenes of foreplay, actually. Not sex, foreplay - as in flirting. Because I couldn't see the bond these people shared, and this was a movie about how these people connected.

My favorite character, by far, was Olive Byrne as played by Bella Heathcote, who is vulnerable and beautiful in the film. A real Gwendoline, to use fetish parlance. Least favorite would be Marston's wife as played by Rebecca Hall, who's an accomplished actress but seemed too uptight - and, worse, too contemporary - in this role. It always amazes me that costume and set design for period pieces like this are thoroughly researched and accurately reproduced, while almost no research goes into reproducing language use and speech patterns of the day (1925 - 1947). Did people actually use the f-word as much as Rebecca Hall uses it in this film? I think not. It made her character more grating than she needed to be. This is a fault of the script, and the f-word was used as a crutch far too often.

Marston was played adequately by the rugged-looking Luke Evans, who bears no resemblance to the overweight, dreamy-eyed real-life William Moulton Marston, but this was a concession to female audience members I suppose.

In real life, it's unknown how Marston developed an interest in BDSM. In the film, it's through Marston's encounter with the mythical pioneer of fetish history, Charles Guyette (the "G-string King"), a real historical figure. What I know of Guyette I learned through reading Charles Guyette: Godfather of American Fetish Art by Richard Perez Seves. As suavely played by JJ Field, he serves as mentor to Marston. Again, this is a bit of shorthand. Guyette is not mentioned in Lepore's history, but the audience is quickly introduced to this fetish underworld, which serves as a strong influence in the creation of Wonder Woman. No mention of Guyette being French in the Seves's book; in fact, he was born and raised in Massachusetts, according to Seves, but the people making this film may not have known this at the time as this brief book is more recent.

Overall, I'll wrap up this review by saying that despite these flaws, this is a film worth viewing. Maybe my own high expectations for it were impossible to meet. I enjoyed many scenes, with my favorite relying on the lie detector machine used in the first half of the movie; I truly loved those scenes. Again, I loved Bella Heathcote as Olive Byrne in this. So, in spite of all my nitpicking, I still give this movie a strong 7 out of 10. The ideas explored in this film make it worth watching. Maybe there's a director's cut of this film out there with additional scenes between the actors. One can only hope. But I would still see this movie again, as is, and certainly plan to.


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