When I was a young man just out of college I experimented with some gay escorting and I found it to be a fascinating life experience. Later I became a gay adult video producer/director, so I know that world from both sides of the table. For those reasons, I'm always drawn to movies that explore the male escort/client relationship and the hidden world in which they operate.
"Hooked" doesn't really offer any genuine insight nor unique perspective into that secretive world. Jack's interactions with his male clients are predictable and stereotypical, but at least somewhat realistic. However, the only scene with a female client - who forces him to wear diapers and talk like a baby - appears to be lifted straight from "Deuce Bigalow: Male Gigolo". Ridiculous. I understand it was probably included as comic relief in an otherwise serious movie, but I believe it was a misstep that went too far.
I was very impressed with Conor Donnally as the lead character, Jack. Not credible as a 17/18 year old, but I'm willing to overlook that. Of course, he's exceptionally handsome and hunky, but more importantly he was clearly committed to each scene - even the superficial and weak ones. It's all about the spark in his eyes. He definitely has the "x factor" and I hope to see him in many more features to come. The other stand-out performance was by Jay Alan Christianson as Date-Rape Dan. (Apparently he's uncredited in the movie. I'd like to know why.) He was fantastic as a creepy, coked-up slimeball client. I don't think anyone could have delivered a stronger performance.
I try to support as many gay oriented films as I can, but I have to be honest. "Hooked" is just okay overall. Ultimately, it's superficial and it missed a golden opportunity to explore the serious dramatic potential of the gay escort/client dynamic. Speaking of missed opportunities -- Donnally is shown shirtless in many scenes, but only shirtless -- never more. Obviously, I didn't direct this movie! I'll remember "Hooked" for the beauty and spark of Donnally and the brilliantly menacing performance of Jay Alan Christianson.
