Maria Luisa lives in Boavita, one of the most conservative Catholic villages in Colombia. She is 45 years old and though she was born male, she identifies herself as a woman and dresses ... See full summary »
Lita witnesses the murder of her own father, a university professor. Frustrated over the local police she and her family starts to investigate the murder themselves. Located at the dark and... See full summary »
Following a banal incident in her local village, 8-year old girl Shula is accused of witchcraft. After a short trial she is found guilty, taken into state custody and exiled to a witch camp... See full summary »
Andres and his 12 year old son Pedro lives in a blue-collar violent neighborhood in the outskirts of Caracas but hardly see each other. One day Andres comes home Pedro has gotten himself in serious trouble after hurting a boy in a fight.
Zaynab, a thirty-something Pakistani, Muslim, lesbian in Chicago takes care of her sweet and TV-obsessed mother. As Zaynab falls for Alma, a bold and very bright Mexican woman, she searches for her identity in life, love and wrestling.
I was expecting Brewster's-Millions-with-a-goat, I got something like the very essence of charm: a wonderfully atmospheric story of burgeoning sibling friendship, set on a Caribbean island, about a brother and sister who accidentally wreck their parents' car by running over a goat, and hatch one scheme after another to try to get level.
Colombian director Samir Oliveros shot the film on Providence Island (an old colonial outpost owned by Colombia) using non-professional local actors, a score written by local musicians (several of whom play on screen) and the locales as another character in a way that recalls a film of escape, change and geographical flavour that I've always loved, Seducing Doctor Lewis. Bad Lucky Goat is very funny when it wants to be, though it's not packed with jokes: much of the joy lies in its genuinely offbeat sensibility and its deceptively lofty ambitions.
Oliveros, who'd made just one previous short and is now doing a master's in LA, told me (as I was bothering him in the lobby) that he shot this one "guerrilla-style" and is now learning how to be a professional filmmaker, ideally in Hollywood. I hope that training doesn't erode the instinctive brilliance of this debut, which is fast-moving but laid-back, packing an astounding amount into its 76 minutes, dealing with themes of superstition, familial loyalty and accidental goat slaughter, and featuring beautiful performances from the two young leads − both of whom are now eyeing careers on screen. Like the rest of the cast, they adapted Oliveros' English-language script into their phonetic local language, Creole, and I could listen to their slang-heavy exchanges all day.
I got lost in its world, and while the film's trip to the cockfights may be a bit of a rude shock to myself and my other libtard cucks, it ultimately did little to dispel the film's very special atmosphere.
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