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Plac zabaw (2016)

It's the last day of school in small town Poland and Gabrysia wants to tell her classmate that she loves him. But it will not end well.
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5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michalina Swistun Michalina Swistun ... Gabrysia Wolska
Nicolas Przygoda Nicolas Przygoda ... Szymek
Przemyslaw Balinski Przemyslaw Balinski ... Czarek
Patryk Swiderski Patryk Swiderski ... Little boy
Pawel Brandys Pawel Brandys ... Gabysia's father
Anita Jancia Anita Jancia ... Gabrysia's mother (as Anita Jancia-Prokopowicz)
Pawel Karolak Pawel Karolak ... Szymek's father
Malgorzata Olczyk Malgorzata Olczyk ... Czarek's mother
Bartlomiej Milczarek Bartlomiej Milczarek ... Pawel (Czarek's brother)
Mikolaj Zamorski Mikolaj Zamorski ... Kamil
Karolina Czajka Karolina Czajka ... Marta
Marta Grabysz Marta Grabysz ... Headmaster
Joanna Kurek Joanna Kurek ... Teatcher
Adam Rosolek Adam Rosolek ... Priest
Pawel Krawczyk Pawel Krawczyk ... Mr. Bartek
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Storyline

Final day of school in a small Polish town. It's the very last chance for a 12 year old Gabrysia to tell her classmate that she had fallen in love with him. She sets up a secret meeting and blackmails the boy to show up. But what was supposed to be an intimate talk spins out of control and leads to an unexpected ending. Written by Latido Films

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Genres:

Drama | Thriller

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Details

Official Sites:

Official sales page

Country:

Poland

Language:

Polish

Release Date:

18 November 2016 (Poland) See more »

Also Known As:

Playground See more »

Filming Locations:

Swidnica, Dolnoslaskie, Poland See more »

Company Credits

Production Co:

Film It See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
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User Reviews

A masterpiece?
16 January 2018 | by Nestor TrujilloSee all my reviews

I. "There's no hope to be had in humanity, not even in children. I haven't been this torn apart, this disturbed, this uncomfortable since 'Irreversible' but at least I felt the soul and heartbreak behind that film, not the cold emptiness I feel now. A great film but I sincerely don't think I can rate it."

The above blurb is of my initial reaction to the latest transgressive Polish film "Plac Zabaw" (or "Playground" in English-speaking countries), which I wrote on Letterboxd upon exiting the Laemmle Royal in Los Angeles. I'm tempted to leave it as such but after sitting on it for a month I think it's worth a try to "recommend" or, at least, talk about this film in the hopes that someone may see it (if you can, since it seems finding a copy of this film is near impossible at the moment).

II. Playground can be called many things: "Irreversible" meets "Kids", social commentary, even "awful garbage", which was said by the two other people with me in the theater as they walked out. One of them was in tears. A testament to the film's power I think lies in the fact that it is able to draw such a reaction. Mind you, this is no "I Spit on Your Grave" trying to make money out of its shock appeal. At least, I don't think it is. Truth be told, a month has passed and I'm still on the fence over whether this film is art or exploitation. It is filled with both subtle and gratuitous violence, mostly unmotivated, wholly unexplained. There is something to be said about the three children it follows and their distinct class divisions. There is something to be said about the cruelty of childhood. There is something to be said about Polish youth today (recalling the right-wing youth protests in Poland last year). There is something to be said about poverty, media, humanity... but what does it all mean? These, I think, are crucial topics - not whether the film is violent, despicable, exploitative or this and that - whose conclusions viewers should reach themselves.

III. To briefly touch on the technical side, the film is certainly beautifully shot and uniquely structured and edited, making for a fine piece of European arthouse cinema. It is also riddled with symbolism and moments of quiet surrealism, in particular a fly which, not without purpose, found its way to the film's cover poster (I wonder what that could mean?).

IV. One final note, I remember reading a little review of "Playground" that said: "You don't have to acquiesce to this kind of filmmaking. 'Oh but you're angry! It succeeded!' Cool, so rush hour traffic is now cinema. Good to know." My response to this is (1) it's impossible to equate the shock and anger this movie generates to the trivial and solvable frustration of rush hour traffic and (2) they are absolutely, no one needs to acquiesce to this kind of filmmaking, the right is yours, but those who choose to do so may indeed find a truly rewarding experience.


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