Several months after the U.S. entry into World War II, an inexperienced U.S. Navy commander must lead an Allied convoy being stalked by a German submarine wolf pack.

Director:

Aaron Schneider

Writers:

Tom Hanks (screenplay by), C.S. Forester (based on the novel "The Good Shepherd" by)
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Popularity
693 ( 258)
Nominated for 1 Oscar. Another 1 win & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Captain Krause
Elisabeth Shue ... Evelyn
Stephen Graham ... Charlie Cole
Matt Helm ... Lt. Nystrom
Craig Tate ... Pitts
Rob Morgan ... Cleveland
Travis Quentin ... Ipsen
Jeff Burkes ... Shannon (as Jeffrey Burkes)
Matthew Zuk ... Flusser
Joseph Poliquin ... Lee Helmsman #1
Casey Bond ... Helmsman #1
Josh Wiggins ... Talker #1
Michael Benz ... Carling
Grayson Russell ... Signalman #1
Ian James Corlett ... Dicky (voice)
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Storyline

Based upon the novel "The Good Shepherd" by C S Forester, this is the thrilling story of an Allied convoy crossing the North Atlantic in 1942 as it faces relentless attack by a German submarine wolf pack. The leader of the convoy's destroyer screen is a US Navy commander making his first Atlantic crossing. The story focuses on the his command responsibility as he fights the cold, the relentless night, the brutal sea, and his deep fatigue as he chases down the attacking submarines in the deadly game of cat and mouse. The exciting story, a thrilling ride-along with the beleaguered captain, so deeply portrays the elements of battle command that for a long period of time the book was used as a text at the US Naval Academy. Written by Nlappos

Plot Summary | Plot Synopsis

Taglines:

The Only Thing More Dangerous Than the Front Lines Was the Fight to Get There

Genres:

Action | Drama | History | War

Motion Picture Rating (MPAA)

Rated PG-13 for war-related action/violence and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Some of the filming of this movie was done aboard Her Majesty's Canadian Ship (HMCS) "Montreal" in the North Atlantic in January 2018 with a film crew of 9 and 10 cameras. See more »

Goofs

In the book, the central ship the USS Keeling (call sign Greyhound), was of the Mahan class. In the movie, however, the titular ship is portrayed as being of the Fletcher class. This may have been chosen because much of the filming was done on the USS Kidd, a Fletcher-class museum ship still maintained in its WW2-configuration, because the silhouette of the heavily-engaged Fletcher class is iconic to most fans of WW2 naval history, or because there were almost ten times as many Fletchers built as Mahans. But while the Mahans were all in service before World War II, the first Fletcher class vessels was not introduced into service until the middle of 1942, which is after the February 1942 date in which the movie is set. (similarly, the HMS James/Harry looks like it was modeled on a British Battle-class destroyer, which did not enter service until 1944). See more »

Quotes

Gray Wolf: [on radio] Greyhound, good luck surviving the night.
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Crazy Credits

During the first part of the end credits, some black and white WW2 era clips are shown. See more »

Connections

Featured in Today: Episode dated 7 July 2020 (2020) See more »

Soundtracks

It Came Upon A Midnight Clear
Public Domain
Arranged by Bill Cunliffe
Performed by Bill Cunliffe
Courtesy of Black Toast Music
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User Reviews

 
A great procedural movie, and a great tribute
10 July 2020 | by charleski2000See all my reviews

This is a movie about the procedure of command. This is an innately more complex task than the more common episodic approach that buries the procedural reality under a mask of plot and character. But this film pulls it off, largely by not shying away from the task.

Guess what? Naval warfare, especially the sort of highly asymmetric warfare shown here, doesn't really revolve around the captain demanding more speed while the engineer says she canna take it. If you're looking for a movie that's truly respectful of the labours and sacrifices made in the Battle of the Atlantic, then this is a fitting tribute.

Don't expect a character movie, don't expect to spend time below decks exploring the usual stereotypes. This movie is seen through the eyes of the captain, and the captain alone. I can think of very few other films that dare to depict the loneliness of command quite so clearly. There's little time for thought, there's no time to process or even truly grasp the horrors that they encounter (something which forms one of the roots of PTSD). What there is is the fight.

The fight is relentless and deeply technical. We've become used to fight scenes carrying a few bits of technical gibberish followed by some visceral and personalised action. There's no gibberish in this film, and the latter consists of the captain cutting his feet on broken glass. The movie, like the mind of the captain, is consumed with the intricate technical and personal demands required to hunt down a submarine at that time. That was clearly the aim here, and the movie has succeeded admirably at showing that particular aspect of this type of warfare. This is not a common way to stage a war movie, but it's worth doing well on a few occasions, and this movie achieves its goal.

The reviews show that many come looking for something more conventional, and end up missing the point, which is a shame.


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Frequently Asked Questions

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Details

Country:

USA | Canada | China

Language:

English

Release Date:

10 July 2020 (USA) See more »

Also Known As:

Greyhound See more »

Filming Locations:

Baton Rouge, Louisiana, USA See more »

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Box Office

Budget:

$50,300,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Surround 7.1

Color:

Color

Aspect Ratio:

2.39 : 1
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