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La Cordillera (2017)

The president of Argentina, Hernán Blanco, is facing a very important decision. He is participating in a meeting between different state leaders, which takes place in La Cordillera. From ... See full summary »

Director:

Santiago Mitre
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2 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
Walter Andrade Walter Andrade ... Oficial garita
Ricardo Darín ... Hernán Blanco
Dolores Fonzi ... Marina Blanco
José María Marcos José María Marcos ... Técnico
Fernando Contigiani García Fernando Contigiani García ... Oficial de ingreso
Erica Rivas ... Luisa Cordero
Ariel Chavarría Ariel Chavarría ... Encargado de Maestranza
Christian Slater ... Dereck McKinley
Maria Ahuad Maria Ahuad ... Cocinera
Paulina García ... Presidenta Paula Scherson
Marcos Horrisberger Marcos Horrisberger ... Mozo Mario
Daniel Giménez Cacho ... Presidente Sebastián Sastre
Esteban Bigliardi Esteban Bigliardi ... Iván
Gerardo Romano ... Ministro Castex
Mario Bodega Mario Bodega ... Lagos
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Storyline

The president of Argentina, Hernán Blanco, is facing a very important decision. He is participating in a meeting between different state leaders, which takes place in La Cordillera. From there, in the middle of the Summit of Latin American presidents, he will have to be able to solve a very complicated personal matter that can affect both his private and public life. Written by Binquin_Black

Plot Summary | Add Synopsis

Taglines:

La ambición no tiene límites. [Ambition has no limits.] See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

Argentina | France | Spain

Language:

Spanish | English | Portuguese

Release Date:

17 August 2017 (Argentina) See more »

Also Known As:

La cordillera See more »

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Box Office

Budget:

$6,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
See full technical specs »
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Did You Know?

Trivia

It was screened in the Un Certain Regard section at the 2017 Cannes Film Festival. See more »

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User Reviews

 
A glorious accomplishment
25 August 2017 | by damgutmanSee all my reviews

Every year at least during the last decade, Argentinian cinema comes up with a single film that is superlative in many ways. Just back to 2014 we had Relatos Salvajes (Wild tales, Foreign film Academy Award nominee), The Clan (2015, this one to a lesser extent), El ciudadano ilustre (The distinguished citizen, 2016), and this year La cordillera, by Santiago Mitre. Mitre, still really young, is on his path to claim his spot beside the greatest contemporary Argentinian filmmakers such as Juan Jose Campanella and Damian Szifron.

This was Mitre's first super-production and he succeeded in coming up with something absolutely ambitious. The fact of the film's scale, it's remarkable cast (best national actors by far- Ricardo Darin, Erica Rivas, Gerardo Romano- and great foreign ones- Christian Slater, Elena Anaya) made it highly expected by the big commercial audience, but Mitre has surprised everyone with something so big in it's universal themes (power, greed, corruption) but yet subtle, full of metaphors

and without a closure to the story, which is what the average cinema goer expects. Hence the mixed reviews, popular reaction and the widely spread notion that the film stays half way or that's slow and boring. It can be a really uncomfortable film for some people, it makes one think and in general people go to the cinema just for entertainment.

The pace of the film it's perfect. Neither too slow nor to fast, it allows one to keep thinking about what's there or what's not. I guess it's more enjoyable if someone has interest and knowledge in politics but as I said above what really matters is the universality of the themes that are dealt with throughout the movie.

The only weakness I can find is the inclusion of President Blanco's daughter played by Dolores Fonzi. Even though then I realised this was merely with the purpose of exploring more in depth Blanco's personality and morality, I hardly find Dolores Fonzi credible (I can only recall 2013 "El critico" as an exception). In the long run and after figuring out the reason of her inclusion it didn't really matter. Everyone who's more thoughtful than the average can have a different interpretation of the events or possible outcomes.

It blew my mind.


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