2095. The world is ravaged by ecological disaster. Oceans have risen and all natural freshwater is gone. Fang Rung has undergone molecular fission in order to send his other half, code name...
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Marie is a social worker in an immigrant dense suburb. Outside her daily work she runs a youth center, leads courses and functions as parole officer for young Belem, who has served time in ... See full summary »
When Rasmus meets Marie, he is certain that she is the love of his life. However, it doesn't take long before it turns out she is a possessive and manipulative being, that cunningly dissects Rasmus to pieces.
Ralph, a once-famous screenwriter, is in his seventies and terminally ill. He has two final missions: to be reconciled to his son, Michael, and, secretly, to ensure he is not a burden to his wife, Anna, as he goes "into that good night".
In this genre-bending psychological sci-fi thriller, a bold girl discovers a bizarre, threatening, and mysterious new world beyond her front door after she escapes her father's protective and paranoid control.
WORD OF GOD is the screen version of Jens Blendstrup's best-selling autobiography of the same name published in 2004 - a wry, funny and touching film by award-winning director Henrik Ruben ... See full summary »
Henrik Ruben Genz
2095. The world is ravaged by ecological disaster. Oceans have risen and all natural freshwater is gone. Fang Rung has undergone molecular fission in order to send his other half, code name Gordon Thomas, back in time to the year 2017. Gordon goes in search of scientist Mona Lindkvist whose ground-breaking research was lost before it could save the world. When Fang Rung loses contact with Gordon he sees no alternative but to travel back to 2017 himself trying to locate his other half before the world's balances are irreparably damaged. It's a race against time for Fang Rung to save himself and the world.Written by
This is a gloomy drama, in the line of the original "Blade Runner", with a mutant (or qeda, the quantum entangled divided agent of the title) that falls in love with the past of its model: the qedas are replicas of humans, with similar characteristics, that fulfill missions traveling through time. And this one in particular refuses to return to the future (or the present time of the film), hypnotized by that "before" that it discovers. "QEDA" lacks the shiny surfaces of the Ridley Scott film, in which rottenness was glamourous and death was a poet. Without the lyricism that turned Scott's opus into a classic, "QEDA" is a small, intimate science fiction film, but never worthless, that opts for a more realistic sense of hopelessness in the fantasy frame of the story. Its ability to move us and the drama forward makes the result attractive and interesting in the end.
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