As her marriage crumbles, a judge must decide a case involving a teenage boy who is refusing a blood transfusion on religious principle.

Director:

Richard Eyre

Writers:

Ian McEwan (screenplay by), Ian McEwan (based on the novel by)
2 wins & 4 nominations. See more awards »

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Cast

Credited cast:
Ben Chaplin ... Kevin Henry
Stanley Tucci ... Jack Maye
Emma Thompson ... Fiona Maye
Jason Watkins ... Nigel Pauling
Fionn Whitehead ... Adam Henry
Rupert Vansittart ... Sherwood Runcie
Rosie Cavaliero ... Marina Green
Nikki Amuka-Bird ... Amadia Kalu QC
Anthony Calf ... Mark Berner
Nicholas Jones ... Professor Rodney Carter
Andrew Havill ... George
Chris Wilson ... Barrister
Dominic Carter ... Roger
Eileen Walsh ... Naomi Henry
Hiten Patel ... Lawyer
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Storyline

As her marriage to Jack Faye (Stanley Tucci) flounders, eminent High Court judge Fiona Maye (Dame Emma Thompson) has a life-changing decision to make at work - should she force a teenage boy, Adam Henry (Fionn Whitehead), to have the blood transfusion that will save his life? Her unorthodox visit to his hospital bedside has a profound impact on them both, stirring strong new emotions in the boy and long-buried feelings in her. Written by Duncan Kenworthy

Plot Summary | Plot Synopsis

Taglines:

We all make choices. Hers make history.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for a sexual reference | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Very oddly, main character Fiona Maye shares almost the exact same name (and homophone) of well-known athlete Fiona May. See more »

Goofs

Throughout the film, her clerk and others address Fiona as 'my lady'; in reality they would simply call her 'judge'. 'My Lady' is a term of address used only in court. See more »

Quotes

Fiona Maye: Well, do join me. I'm afraid all I can promise you is two neglected children.
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Connections

Featured in Front Row Late: Episode #3.6 (2018) See more »

Soundtracks

My Funny Valentine
Written by Richard Rodgers and Lorenz Hart
Taken from their musical comedy "Babes in Arms" (1937)
Performed By Emma Thompson on the piano; vocals by Anthony Calf
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User Reviews

 
History making choices
2 October 2018 | by TheLittleSongbirdSee all my reviews

Have a love for Emma Thompson and Stanley Tucci, and both have done great work in many films worthy of their talent. Also have liked quite a fair bit of Richard Eyre's work and the writing of Ian McEwan, particularly 'Atonement' and 'On Chesil Beach'.

Seeing 'The Children Act', having really been compelled by the advertising, liking the book and having heard a lot of good things about it, it may not be one of Eyre's best or McEwan's, though adaptation-wise it does acquit itself well. It's also not one of the best overall films of Thompson or of Tucci (films, not performances). 'The Children Act' is an uneven film, but it is on the most part interesting and well done and its best parts and good things are absolutely wonderful. Not one of my favourite films of the year but not one of the worst either.

Commencing with the good things, 'The Children Act' is very well made. Particularly striking is the cinematography, both haunting and beautiful and enhancing the evocative period detail perfectly. Also haunting is the music, which does get embedded in the brain and takes a while to leave it. The script is mostly very literate and nuanced and Eyre directs impeccably.

The first half is wonderful. It's intelligently done, always absorbing and with some genuinely moving moments. Pace-wise, 'The Children Act' is deliberate but most of the time in film this is not a bad thing and this is not an exception for the first half. The characters are compelling in their realism, though Adam is more empathetic in the book. What is especially good throughout is the acting with possible career-best work from Thompson, who is just sensational, and affecting support from Tucci. Jason Watkins brings some levity and Fionn Whitehead has a bright future ahead if continuing down this path.

It is unfortunate however that the second half isn't as good. Again it is poignant, it has some nuances and it is beautifully shot, scored and acted. It just gets too melodramatic with some vague plot points that are under(or un) explored and the pacing slackens.

Writing loses its way a little too, the nuances aren't as frequent and corn creeps in. The outcome is easy to figure out too early.

Overall though, well done with many fine moments. Just wish it was more consistent. 7/10 Bethany Cox


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Details

Country:

UK | USA

Language:

English

Release Date:

14 September 2018 (USA) See more »

Also Known As:

The Children Act See more »

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Box Office

Opening Weekend USA:

$76,108, 16 September 2018

Gross USA:

$547,750

Cumulative Worldwide Gross:

$17,696,794
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
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