Ron Stallworth, an African-American police officer from Colorado, successfully manages to infiltrate the local Ku Klux Klan with the help of a white surrogate, who eventually becomes head of the local branch.
John David Washington,
Set in '70s Kingston and '80s Hackney, Yardie centres on the life of a young Jamaican man named D (Aml Ameen), who has never fully recovered from the murder, committed during his childhood,... See full summary »
A true crime film about a crew of retired crooks who pull off a major heist in London's jewelry district. What starts off as their last criminal hurrah quickly turns into a brutal nightmare due to greed. Based on infamous true events.
A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched, set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris.
Ex-jailbirds Eddie and Paul are on parole and working in a New York diner. Their lives are a dead end. That is, until English lawyer Katherine Rookwood walks into the diner with an offer they can't refuse.
Agnes, taken for granted as a suburban mother, discovers a passion for solving jigsaw puzzles which unexpectedly draws her into a new world - where her life unfolds in ways she could never have imagined.
As her marriage to Jack flounders, eminent High Court judge Fiona Maye has a life-changing decision to make at work - should she force a teenage boy, Adam, to have the blood transfusion that will save his life? Her unorthodox visit to his hospital bedside has a profound impact on them both, stirring strong new emotions in the boy and long-buried feelings in her.Written by
Greetings again from the darkness. There are some actors who are so talented that they elevate most any material to a watchable status. Emma Thompson is one of the few. She is an Oscar winner for Best Adapted Screenplay (SENSE AND SENSIBILITY) and for Best Actress (HOWARD'S END), and her career is comprised of interesting characters ... many made so because of her performance. The film is directed by Richard Eyre, who has two terrific films in NOTES ON A SCANDAL (2006) and IRIS (2001), and adapted from his own novel by Ian McEwan (ATONEMENT, ON CHESIL BEACH).
We are introduced to British High Court Judge Fiona Maye as she announces her opinion on a case involving conjoined twins. As an expert in family law cases, Judge Maye is respected for fairness and decisiveness. Just as the reality of her crumbling marriage to Jack (Stanley Tucci) hits, she is drawn into yet another case where emotions (and media) are running high. Adam (Fionn Whitehead, DUNKIRK) is in dire need of a blood transfusion, which his Jehovah's Witness religion and parents will not allow.
It's at this point that we believe we are in for a stressful courtroom drama facing religious intricacies. However, there is very little to the court case - only the highly unusual step of the judge visiting the sick minor in the hospital. The highly anticipated moral dilemma never unfolds, and instead we get an oddball friendship, ever-creepier stalking sequence, and emotional unmasking. It's a bit of a letdown. Are we to believe that Judge Fiona Maye is conflicted about anything? She doesn't appear to be. She made up her mind to focus on work, and only seemed to have forgotten to mention this to her husband, whose wants push him towards infidelity.
Jason Watkins has a terrific turn as Nigel, the judge's meticulous assistant who is there in good times and bad. The story could be viewed from a woman's perspective on how the dedication to career comes with a cost, but that same cost would likely be paid by a man in this situation as well. The title of the film is specific to a British law in dealing with aspects of minors, making the court case even less suspenseful than we might think. It's not a courtroom drama per se, and it doesn't dive deep enough to be a look at a dysfunctional marriage, and it's simply too bland to be the study of a workaholic carrying guilt over never having kids - shouldn't this issue have been resolved by now, given the age of this couple? It's a crazy "R" rating over one line of dialogue, and it's really Ms. Thompson's performance that provides the only reason to see the film.
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