Thirty years after they served together in Vietnam, a former Navy Corpsman Larry "Doc" Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War.
Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they've left the battlefield.
In 2003, 30 years after they served together in the Vietnam War, former Navy Hospital Corpsman Larry "Doc" Shepherd re-unites with ex-Marines Sal and Mueller on a different type of mission: to bury Doc's son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast to his home in suburban New Hampshire. Written by
Cinematographer Shane Kelly filmed the movie using a Panasonic VeriCam. He worked with Richard Linklater to give bleaker and more somber tone compared to their previous collaborations with a darker hue and muted colors. See more »
In the funeral scene, Sal and Richard are wearing Marine Dress Blue uniforms but the cap ornament is set a bit high. See more »
If you could just see yourself right now. You look like you just had a lobotomy. What's wrong with you?
[sitting on his barstool]
This is reality.
Reality? My ass. It's all made-up. Let me ask you this, huh, how many times on this show have you seen the cops arrest, you know, killers and-and rapists or something like that? How many times did they slap the cuffs on some crooked CEO fuck?
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This film seems to suffer from an identity crisis. It attempts to tackle many underrepresented topics pertaining to the effect war has on veterans and their families, but it stretched itself too thin and each plot line ended up being a weak caricature of what they were trying to accomplish. With the exception of Bryan Cranston's character, Sal, and at times J. Quinton Johnston's character, Washington, all of the characters weren't very well fleshed out and none of them saw any change from the beginning of the film to the end. The dark subject matter was sprinkled with random bits of humor that, instead of lightening the tone, just felt awkward and out of place, while the story jumped around in so many places, it was hard to tell what it was really about.
There was a flier outside my screening that gave more information about the veteran issues that were highlighted in this film, which leads me to believe that it was made with a greater purpose than just to entertain. This made me even more disappointed in the fact that the writing and cinematography were often lazy, and the overall film felt like one done by an amateur filmmaker, not by a writer/director that's been around for decades. Although there are relatable moments in this film, I'm sure even more so for people who have experienced war, as a whole it is barely a step up from an over politicized after school special.
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