Murder in the Auvergne Mountains

A good policier. for the large webb of themes. for the stories of characters. for the links between past and present. for complex portrait of events. the only basic sin - the ambition to say everything. to explore family relations, old pains, love stories, crimes causes, images in clash against reality, business files and too pathetic pledge for noble intentions. and that does "Les sources assassines" too long, a little confuse, victim of worms of ambiguity. sure, no surprising because many facts and themes are so familiar in French films of the last decades. theis seems so important than each become necessary ingredient of story. this film respects the rule.