A tough Hong Kong cop's 16 y.o. daughter disappears in Pattaya. He goes to Thailand to find her and must deal with corrupt cops but an honest one helps him track down culprits involved in illegal organ trafficking.
In the Ming dynasty of China, Shen Lian (starring Chang Chen), a secret police of corrupt government, is trapped by the conspiracy on a mission. To prove the innocence, he seeks the truth with a girl called Bei Zhai (starring Yang Mi).
A near retired inspector and his unit are willing to put down a crime boss at all costs while dealing with his replacement, who is getting in their way. Meanwhile, the crime boss sends his top henchmen to put an end to their dirty schemes.
Taking place in the Tang Dynasty, a demon cat appears and breaks the peace of Chang'an City, causing a series of strange events. Poet Bai Letian and Monk Kukai join hands to investigate the... See full summary »
China's deadliest special forces operative settles into a quiet life on the sea. When sadistic mercenaries begin targeting nearby civilians, he must leave his newfound peace behind and return to his duties as a soldier and protector.
A coup in North Korea forces an agent to defect to South with unconscious "Number One". While operatives from North hunt for both of them, the agent has to work with South Koreans to stop the nuclear war.
The year is 1963, an illegal immigrant named Ho (Donnie Yen) sneaks into British-ruled Hong Kong. Equipped with guts and combat skills, he plunges into the underground world getting into constant conflict with rivals. After many adversaries, the once good-natured man is physically crippled and turns into a monster more atrocious than all the most corrupted cops and ruthless drug dealers. Ho eventually emerges as the most powerful drug lord under the control of Chief Detective Sergeant, Lee Rock (Andy Lau). However, with the establishment of Independent Commission Against Corruption (ICAC) by the law enforcement in 1974, Rock is forced into premature retirement. But Ho still insists he would not be stopped as he determines to become the sole dictator of the drug empire.Written by
A very bad scripted sequel to "Lee Rock" and "Lee Rock II"
Andy Lau in this film continued to play the role of Lee Rock, portraying his early rise in Hong Kong's police system under the colonial sovereign governing governing. Donnie Yen played a role as new comer and a new input of this Hong Kong generic and stereotyped underworld gangster who later associated himself and was manipulated by Lee Rock.
What I don't like too much of this film are the usual fatal flaws that almost every Chinese movie would always be unavoidable:
Lousy screenplay with horrible dialog, making this film so painful to swallow.
Bad acting that included Any Lau and Donnie Yen. The overly weight control
diet has deformed Lau into a skinny physical body with gaunt skeleton face,
resulted him as a non-outstanding ordinary little guy without any special
dominant aura to support his upper-echelon status in any job title, police or
gangster organization. Any GREAT or POWERFUL role he played only gave
me an impression that movie needed to make him being that role. There's
not enough believability to convince me he could be that great or powerful
person in that movie so far.
Donnie Yen is no exception in this movie with very bad acting with his
bloated facial condition. He was also deeply affected by the bad screenplay
to play a convincing enough character.
Bad casting with many unnecessary clowns and jerks roles, such as Kent
Cheng, who played the sidekick and yes-man of Lee Rock. But in Chinese
movie industries, returning favors or special relationship always needed to be
considered from the cash-cow production groups behind the scene. So
manuscripts would always have to be revised, added more unnecessary roles,
thus unavoidably messed up the films. This trend and must-do is a tumor, an
appendix that Chinese movie industries could never cut off clearly.
Poor make-ups with funny wigs that included Donnie Yen's cosmetic extra
eye-lid liner surgeries and moving Botox on his face.
Status-quo no brainer trademark directing. Jing Wong has produced and
directed so many similar genre film like this one. He never improved or
evovled his directing technique and skill at all. Every film he directed or
produced was almost the same, no new ground was ever broken.
This film, in my opinion, is just another shallow farce with lot of back alley fights typically in Hong Kong gangster films. Donnie Yen has been trying very hard to make him not just a martial-art fighting machine in his films but an actor with more depth, but with only such lousy screenplays lying around, with his aging process, the only choice he could do is making money first with his fighting skills whenever big payloads throwing his way like Jackie Chan.
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