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Quality Time (2017)

Five thirty-something men in as many separate segments struggle to grapple with the relentless absurdity of their respective existences.


Daan Bakker


Daan Bakker

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2 wins & 4 nominations. See more awards »


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Credited cast:
Steve Aernouts Steve Aernouts
Idar Andersen Idar Andersen ... Kristoffer
Maja Baaserud Maja Baaserud ... Little Red Riding Hood
Thomas Aske Berg
Anneke Blok Anneke Blok
Bert Bunschoten Bert Bunschoten
Steef Cuijpers ... Bob
Raymonde de Kuyper Raymonde de Kuyper
Randi Egeland Randi Egeland ... Kjell's mother
Tore Egeland Tore Egeland ... Kjell's father
Adam Ekeli Adam Ekeli ... little Kjell
Dennis Foose Dennis Foose ... Knight 1
Gaute Garlid Gaute Garlid ... Tor
Fred Goessens Fred Goessens
Vegar Hoel


Five thirty-something men in as many separate segments struggle to grapple with the relentless absurdity of their respective existences.

Plot Summary | Add Synopsis


Comedy | Drama


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Dutch | Norwegian

Release Date:

10 November 2017 (USA) See more »

Filming Locations:

The Netherlands See more »


Box Office


€1,200,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Referenced in KVIFF Guide: Episode #1.1 (2017) See more »

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User Reviews

Quality Time's title does not lie. It's a feel-good movie, which will leave a confused smile on your face when the credits roll
1 December 2017 | by edwardjones-23192See all my reviews

When you consider the quintessential film festival flick, Quality Time probably comprises all of your expectations.

The term experimental is an understatement, but would also suggest amateurism, which Quality Time certainly isn't. From its cinematography to its structure and semblance of narrative, Quality Time is probably unlike anything you've ever seen. I'm hesitant to call this a movie, but the feature- length experience shatters every expectation you have for films. Amidst the fragments, Quality Time offers new perspectives, which, although not particularly profound in themselves, linger with you nonetheless.

The film is split into five sections, each more absurd than the last. The first part presents only a blob on-screen to represent a person. This expands and contracts in sync with its voice. English subtitles also emanate from the blob to tell a bizarre story about him eating milk and ham at family gatherings: an ongoing joke. Clearly the writers chose to lead with the most abstract story, but don't expect the others to make any more sense.

The second, my personal favorite, is largely shot top-down, and whose spoken dialogue is replaced with text. This strips back all the natural reference points for relating to characters, and the colder trickle of personality leaves you unconsciously filling in the gaps. At one point during this segment, I convinced myself that the narrative was leading to a grand reveal or plot twist, but this suggestion was only ever that.

The remaining sections use more conventional cinematography, though with use of extreme close- ups, and occasional compositional flare. Whereas the first two sections made a point of distancing us from the characters, the remaining three take us uncomfortably close, and makes the equally absurd subject matters of each all the more entertaining.

Don't expect some poignant message from this movie.

It's absurd for absurdity's sake.

It starts to draw you in and force you to ask questions, before revealing that there is no answer. The movie's final joke, perhaps, is that there is no punchline, yet it serves as something of a canvas for you to project your own ponderings. It doesn't take itself too seriously. It's a feel-good movie, and although you won't understand why, you'll be smiling when the credits roll.

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